|
Issue |
Title |
|
Vol 10 Performances of Resistance, Resisting Performance |
Bryoni Trezise and Caroline Wake, eds. Visions and Revisions: Performance, Memory, Trauma (Copenhagen: Museum Tusculanum Press, 2013) |
Abstract
PDF
|
Sarah Miller |
|
Vol 2 Japan After the 1960s: The Ends of the Avant-Garde |
Bursting Bodies of Thought: Artaud and Hijikata |
Abstract
PDF
|
Michael Hornblow |
|
Vol 14 Performance, Politics, and Non-Participation |
Can’t or Won’t: Sneaky Feelings in the Theatre |
Abstract
PDF
|
Asher Warren |
|
No 18 (2023): The Art of Subsidy / The Subsidy of Art |
Careful and Curious: A Transformative Ethos for Artistic Evaluation |
Abstract
PDF
|
Vahri McKenzie, Denise Thwaites, Cathy Hope |
|
Vol 9 Assembling Wonder |
Challenges to Reciprocity: Gift exchange as a theoretical framework of community arts practice |
Abstract
PDF
|
Joanna Winchester |
|
Vol 9 Assembling Wonder |
Choreography as mobile architecture |
Abstract
PDF
|
Erin Manning |
|
Vol 7 Images of Happiness |
Christoph Schlingensief: Art Without Borders, ed. Tara Forrest and Anna Teresa Scheer (Bristol & Chicago: Intellect 2010) |
Abstract
PDF
|
Bree Hadley |
|
No 16 (2021): Performance and Radical Kindness |
Circus, In Crisis: Examining Care and Community in Circus Training |
Abstract
PDF
|
Laine Halpern Zisman |
|
No 16 (2021): Performance and Radical Kindness |
Closing Comments: a kindness that goes further |
Abstract
PDF
|
Alys Longley |
|
No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World |
Co-Design as a Driver of Change |
Abstract
PDF
|
Anna Sigridur Islind |
|
Vol 5, No 2 After Effects: Performing the Ends of Memory |
Coming to Terms with Trauma Tourism |
Abstract
PDF
|
Laura Beth Clark |
|
No 16 (2021): Performance and Radical Kindness |
Compassionate Irritability: Interdisciplinary collaboration as an act of kindness |
Abstract
PDF
|
Kate Hunter |
|
Vol 10 Performances of Resistance, Resisting Performance |
Contemporary Art, the Contemporary and Late Capitalism | C.J. W.-L. Wee |
Abstract
PDF
|
C.J. W.-L. Wee |
|
Vol 4 Emergences: 21st-Century Performance |
Contemporary Theatres in Europe: A Critical Companion, eds. Joe Kelleher and Nicholas Ridout (London and New York: Routledge, 2006). |
Abstract
PDF
|
Meg Mumford |
|
Vol 7 Images of Happiness |
Contesting Performance: Global Sites of Research, edited by Jon McKenzie, Heike Roms, and C. J. W.-L. Wee (Palgrave McMillan, London 2010) |
Abstract
PDF
|
Ian Maxwell |
|
Vol 7 Images of Happiness |
Contesting Performance: Global Sites of Research, edited by Jon McKenzie, Heike Roms, and C. J. W.-L. Wee (Palgrave McMillan, London 2010) |
Abstract
PDF
|
Ian Maxwell |
|
Vol 13 Performance, Choreography, and the Gallery |
Context, Discipline, and Understanding: The Poetics of Shelley Lasica’s Gallery-Based Work |
Abstract
PDF
|
Erin Brannigan |
|
Vol 12 Performance, Technology, and Intimacy |
Conversive Theatres: Performances with/in Social Media |
Abstract
PDF
|
Misha Myers, Dane Watkins, Richard Sobey |
|
Vol 9 Assembling Wonder |
Convolving Signals: Thinking the performance of computational processes |
Abstract
PDF
|
Andrew Murphie |
|
Vol 9 Assembling Wonder |
Counter-actualization: The art of Wafaa Bilal |
Abstract
PDF
|
Jane Jagodzinski |
|
Vol 5, No 2 After Effects: Performing the Ends of Memory |
Critical Theory and Performance, eds., Janelle G. Reinelt and Joseph R. Roach (Ann Arbor: University of Michigan Press, 2007) |
Abstract
PDF
|
Jane Goodall |
|
No 18 (2023): The Art of Subsidy / The Subsidy of Art |
Cultural Policy and the Integral State: A Gramscian Analysis of Arts Funding |
Abstract
PDF
|
Izabella Nantsou |
|
Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore |
Dance and Politics, edited and compiled by Alexandra Kolb (Bern: Peter Lang, 2011) |
Abstract
PDF
|
Anny Mokotow |
|
Vol 9 Assembling Wonder |
Dance Instruction - Dance Induction: Aesthetics, Gender Performance, and the Dancing Male |
Abstract
PDF
|
Jack Migdalek |
|
Vol 9 Assembling Wonder |
Dancefilm: Choreography and the Moving Image, by Erin Brannigan | Choreographing Empathy: Kinesthesia in Performance, by Susan Leigh Foster | Review By Amanda Card |
Abstract
PDF
|
Amanda Card |
|
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