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Issue |
Title |
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Vol 10 Performances of Resistance, Resisting Performance |
Denise Varney, Peter Eckersall, Chris Hudson, and Barbara Hatley, Theatre and Performance in the Asia-Pacific: Regional Modernities in the Global Era (Basingstoke: Palgrave Macmillan, 2013) |
Abstract
PDF
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Rand T Hazou |
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No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World |
Diagrams — Virus : War : Climate and Performance/Media Research |
Abstract
PDF
|
Miško Šuvaković |
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No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World |
Digitally Live: Performative Presence in Times of Covid-19 |
Abstract
PDF
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Ioana B. Jucan |
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Vol 12 Performance, Technology, and Intimacy |
Disability, Public Space Performance and Spectatorship: Unconscious Performers by Bree Hadley (Basingstoke: Palgrave Macmillan, 2014) |
Abstract
PDF
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Sharon Mazer |
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Vol 5, No 2 After Effects: Performing the Ends of Memory |
Disturbing the Sound of Silence: Towards the Thick Vision of the Long Soviet Silence |
Abstract
PDF
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Maria Tumarkin |
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Vol 13 Performance, Choreography, and the Gallery |
Do You Do This Often? |
Abstract
PDF
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Shelley Lasica |
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No 16 (2021): Performance and Radical Kindness |
Documentary Screendance-making as a Practice of Kindness |
Abstract
PDF
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Paula Guzzanti |
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No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World |
Doing Things With Worlds: Philosophy Becomes Cosmography |
Abstract
PDF
|
Sara Baranzoni, Paolo Vignola, Jon McKenzie |
|
Vol 4 Emergences: 21st-Century Performance |
Down and Under, Up and Over: Animalworks by Sun Yuan and Peng Yu |
Abstract
PDF
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Meiling Cheng |
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Vol 12 Performance, Technology, and Intimacy |
Dramaturgy in Motion: At Work on Dance and Movement Performance by Katherine Profeta (Madison: University of Wisconsin Press, 2015) |
Abstract
PDF
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Katalin Trencsényi |
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Vol 1 Live Ends: Performance in the Information Age |
East meets West: Bunraku, Intermediation and Australian Institutional Conceptions of Interdisciplinarity |
Abstract
PDF
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Yuji Sone |
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Vol 1 Live Ends: Performance in the Information Age |
Eavesdrop and New Media |
Abstract
PDF
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David Pledger, Rosemary Klich |
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No 16 (2021): Performance and Radical Kindness |
Editorial: Performance and Radical Kindness |
Abstract
PDF
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Emma Willis |
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Vol 15 Performing Southern Feminisms |
Editorial: Performing Southern Feminisms |
Abstract
PDF
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Emma Willis, Justine Shih Pearson, Caroline Wake |
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Vol 1 Live Ends: Performance in the Information Age |
Elements of ‘Interactive Drama’: Behind the Virtual Curtain of Jupiter Green |
Abstract
PDF
|
Christy Dena |
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Vol 5, No 2 After Effects: Performing the Ends of Memory |
Embodied Spaces of Nation: Performing the National Trauma at Hellfire Pass |
Abstract
PDF
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Chris Hudson |
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Vol 4 Emergences: 21st-Century Performance |
Embracing a Mediat[is]ed Modernity: An Approach to Exploring Humanity in Posthuman Music |
Abstract
PDF
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Jeffrey M. Morris |
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Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore |
Engaging Performance: Theatre as Call and Response, by Jan Cohen-Cruz (London and New York: Routledge, 2010) |
Abstract
PDF
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Rebecca Caines |
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Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore |
Entangled: Technology and the Transformation of Performance, by Chris Salter (Cambridge, Mass. and London: The MIT Press, 2010) |
Abstract
PDF
|
Yuji Sone |
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Vol 3 The End of Ethics? Performance, Politics, and War |
Envisioning Ethics Anew |
Abstract
PDF
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Rustom Bharucha |
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No 16 (2021): Performance and Radical Kindness |
Escape Velocity Walks the City: Kindness and intimacy in public space in the transgender and gender diverse teen experience |
Abstract
PDF
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Renée Newman |
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Vol 10 Performances of Resistance, Resisting Performance |
e-Smoker’s Theatre, or, Modern Drama for Vapers | Paul Rae |
Abstract
PDF
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Paul Rae |
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Vol 10 Performances of Resistance, Resisting Performance |
Everyday Resistance | Susan Bennett |
Abstract
PDF
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Susan Bennett |
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Vol 15 Performing Southern Feminisms |
Expanding Networks of Care: The Humanitarian Storytelling of Olivia Rousset |
Abstract
PDF
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Helena Grehan, Olivia Rousset |
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Vol 13 Performance, Choreography, and the Gallery |
Feminism in the Archives and the Archive in Feminism: Propositions Gleaned from Alex Martinis Roe’s To Become Two |
Abstract
PDF
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Amelia Wallin |
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