|
Issue |
Title |
|
Vol 1 Live Ends: Performance in the Information Age |
Hacktivism and Machinic Performance |
Abstract
PDF
|
Jon McKenzie |
|
Vol 7 Images of Happiness |
Happiness as a Quality of Dramatic Performance - the Chubbuck Technique: Struggle, Conflict, and Stasis |
Abstract
PDF
|
Nicholas Hope |
|
Vol 13 Performance, Choreography, and the Gallery |
Here, An Echo (2015–16) |
Abstract
PDF
|
Agatha Gothe-Snape, Brooke Stamp |
|
Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore |
I am an Artist because I am an Artist… |
Abstract
PDF
|
Zizi Azah |
|
Vol 6 Interruptions: Letters to Jimmie Durham |
I had a Dream in Tropical Islands Resort in Berlin. Was it real? |
Abstract
PDF
|
Stephen Muecke |
|
Vol 3 The End of Ethics? Performance, Politics, and War |
I La Galigo. Directed by Robert Wilson. State Theatre, Melbourne International Arts Festival, 19 – 23 October 2006. |
Abstract
PDF
|
Margaret Hamilton |
|
No 16 (2021): Performance and Radical Kindness |
Ibsen’s Phenomenology of Kindness and its Failure in The Wild Duck |
Abstract
PDF
|
Daniel Johnston |
|
Vol 5, No 1 After Effects: Performing the Ends of Memory |
Identity Politics of Mobility: Kara Walker and Berni Searle |
Abstract
PDF
|
Petra Kuppers |
|
Vol 2 Japan After the 1960s: The Ends of the Avant-Garde |
Into Performance: Japanese Women Artists in New York, Midori Yoshimoto (New Jersey and London: Rutgers University Press, 2005) |
Abstract
PDF
|
Mika Eglinton |
|
Vol 7 Images of Happiness |
Introduction |
Abstract
PDF
|
Peter Eckersall, Helena Grehan, Edward Scheer |
|
Vol 9 Assembling Wonder |
Introduction |
Abstract
|
Anna Hickey-Moody |
|
Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore |
Introduction |
Abstract
PDF
|
C. J. W.-L. Wee |
|
Vol 5, No 1 After Effects: Performing the Ends of Memory |
Introduction to After Effects: Performing the Ends of Memory |
Abstract
PDF
|
Bryoni Trezise, Caroline Wake |
|
Vol 6 Interruptions: Letters to Jimmie Durham |
Introduction to After Effects: Performing the Ends of Memory |
Abstract
PDF
|
Stephen Muecke |
|
Vol 4 Emergences: 21st-Century Performance |
Introduction – Performance and Critical Optimism |
Abstract
PDF
|
Peter Eckersall, Edward Scheer, Helena Grehan |
|
Vol 2 Japan After the 1960s: The Ends of the Avant-Garde |
Introduction: Japan after the 1960s: The Ends of the Avant-Garde |
Abstract
PDF
|
Peter Eckersall, Edward Scheer |
|
Vol 10 Performances of Resistance, Resisting Performance |
Introduction: Performances of Resistance/Resisting Performance |
Abstract
PDF
|
Helena Grehan |
|
Vol 11 Staging Real People |
Introduction: Staging Real People: On the Arts and Effects of Non-Professional Theatre Performers |
Abstract
PDF
|
Meg Mumford, Ulrike Garde |
|
Vol 3 The End of Ethics? Performance, Politics, and War |
Introduction: The End of Ethics? |
Abstract
PDF
|
Edward Scheer |
|
Vol 3 The End of Ethics? Performance, Politics, and War |
Is There a Gene Responsible for Our Obsession with Perfection? Disability, Ethics and Responsibility |
Abstract
PDF
|
Lalita McHenry |
|
Vol 10 Performances of Resistance, Resisting Performance |
Janez Janša: Acts of Politicisation By Means of Art |
Abstract
PDF
|
Konstantina Georgelou |
|
Vol 4 Emergences: 21st-Century Performance |
Judie Christie, Richard Gough, Daniel Watt (eds.), A Performance Cosmology: Testimony from the Future, Evidence of the Past. London & New York: Routledge, published for the Centre for Performance Research, 2006. |
Abstract
PDF
|
Peter Eckersall |
|
Vol 12 Performance, Technology, and Intimacy |
Kimospheres, or Shamans in the Blind Country |
Abstract
PDF
|
Johannes Birringer |
|
Vol 7 Images of Happiness |
Landings: Moth Stories |
Abstract
PDF
|
Petra Kuppers |
|
Vol 13 Performance, Choreography, and the Gallery |
Likely Terpsichore?: Dancing in the Museum of Ancient History and Archaeology |
Abstract
PDF
|
Marie-Louise Crawley |
|
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