| Issue | Title | |
| Vol 1 Live Ends: Performance in the Information Age | Hacktivism and Machinic Performance | Abstract PDF |
| Jon McKenzie | ||
| Vol 7 Images of Happiness | Happiness as a Quality of Dramatic Performance - the Chubbuck Technique: Struggle, Conflict, and Stasis | Abstract PDF |
| Nicholas Hope | ||
| Vol 13 Performance, Choreography, and the Gallery | Here, An Echo (2015–16) | Abstract PDF |
| Agatha Gothe-Snape, Brooke Stamp | ||
| Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore | I am an Artist because I am an Artist… | Abstract PDF |
| Zizi Azah | ||
| Vol 6 Interruptions: Letters to Jimmie Durham | I had a Dream in Tropical Islands Resort in Berlin. Was it real? | Abstract PDF |
| Stephen Muecke | ||
| Vol 3 The End of Ethics? Performance, Politics, and War | I La Galigo. Directed by Robert Wilson. State Theatre, Melbourne International Arts Festival, 19 – 23 October 2006. | Abstract PDF |
| Margaret Hamilton | ||
| No 16 (2021): Performance and Radical Kindness | Ibsen’s Phenomenology of Kindness and its Failure in The Wild Duck | Abstract PDF |
| Daniel Johnston | ||
| Vol 5, No 1 After Effects: Performing the Ends of Memory | Identity Politics of Mobility: Kara Walker and Berni Searle | Abstract PDF |
| Petra Kuppers | ||
| Vol 2 Japan After the 1960s: The Ends of the Avant-Garde | Into Performance: Japanese Women Artists in New York, Midori Yoshimoto (New Jersey and London: Rutgers University Press, 2005) | Abstract PDF |
| Mika Eglinton | ||
| Vol 7 Images of Happiness | Introduction | Abstract PDF |
| Peter Eckersall, Helena Grehan, Edward Scheer | ||
| Vol 9 Assembling Wonder | Introduction | Abstract |
| Anna Hickey-Moody | ||
| Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore | Introduction | Abstract PDF |
| C. J. W.-L. Wee | ||
| Vol 5, No 1 After Effects: Performing the Ends of Memory | Introduction to After Effects: Performing the Ends of Memory | Abstract PDF |
| Bryoni Trezise, Caroline Wake | ||
| Vol 6 Interruptions: Letters to Jimmie Durham | Introduction to After Effects: Performing the Ends of Memory | Abstract PDF |
| Stephen Muecke | ||
| Vol 4 Emergences: 21st-Century Performance | Introduction – Performance and Critical Optimism | Abstract PDF |
| Peter Eckersall, Edward Scheer, Helena Grehan | ||
| Vol 2 Japan After the 1960s: The Ends of the Avant-Garde | Introduction: Japan after the 1960s: The Ends of the Avant-Garde | Abstract PDF |
| Peter Eckersall, Edward Scheer | ||
| Vol 10 Performances of Resistance, Resisting Performance | Introduction: Performances of Resistance/Resisting Performance | Abstract PDF |
| Helena Grehan | ||
| Vol 11 Staging Real People | Introduction: Staging Real People: On the Arts and Effects of Non-Professional Theatre Performers | Abstract PDF |
| Meg Mumford, Ulrike Garde | ||
| Vol 3 The End of Ethics? Performance, Politics, and War | Introduction: The End of Ethics? | Abstract PDF |
| Edward Scheer | ||
| Vol 3 The End of Ethics? Performance, Politics, and War | Is There a Gene Responsible for Our Obsession with Perfection? Disability, Ethics and Responsibility | Abstract PDF |
| Lalita McHenry | ||
| Vol 10 Performances of Resistance, Resisting Performance | Janez Janša: Acts of Politicisation By Means of Art | Abstract PDF |
| Konstantina Georgelou | ||
| Vol 4 Emergences: 21st-Century Performance | Judie Christie, Richard Gough, Daniel Watt (eds.), A Performance Cosmology: Testimony from the Future, Evidence of the Past. London & New York: Routledge, published for the Centre for Performance Research, 2006. | Abstract PDF |
| Peter Eckersall | ||
| Vol 12 Performance, Technology, and Intimacy | Kimospheres, or Shamans in the Blind Country | Abstract PDF |
| Johannes Birringer | ||
| Vol 7 Images of Happiness | Landings: Moth Stories | Abstract PDF |
| Petra Kuppers | ||
| Vol 13 Performance, Choreography, and the Gallery | Likely Terpsichore?: Dancing in the Museum of Ancient History and Archaeology | Abstract PDF |
| Marie-Louise Crawley | ||
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