Vol 2 Japan After the 1960s: The Ends of the Avant-Garde

Edited by Peter Eckersall and Edward Scheer

This issue investigates how ideas of culture and one’s experiences of the world came to be actively performative in a similar vein—how perception and experience stood for the embodiment of a new politics in post-war Japan.

Articles: Satô Makoto, Yasuko Ikeuchi, Michael Hornblow, Shannon C. Moore, Jonathan Marshall, Lisa Kuly, Vera Mackie, Midori Yoshimoto, Gunhild Borggreen, and Tadashi Uchino.

Performance Review: Zack Fuller on the Dance Hakushu Festival.

Book Reviews: M. Cody Poulton on Carol Fisher Songenfrei, Mika Eglinton on Midori Yoshimoto, and Yuji Sone on Peter Eckersall, Uchino Tadashi, and Moriyama Naoto.

Table of Contents

Articles

Peter Eckersall, Edward Scheer
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1–4
Satô Makoto
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5–9
Yasuko Ikeuchi
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10–29
Michael Hornblow
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30–49
Shannon C Moore
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50–58
Jonathan Marshall
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59–78
Lisa Kuly
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79–95
Vera Mackie
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96–107
Midori Yoshimoto
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108–122
Gunhild Borggreen
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123–136
Tadashi UCHINO
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137–144

Performance Reviews

Zack Fuller
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145–153

Book Reviews

M Cody Poulton
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154–160
Mika Eglinton
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161–164
Yuji Sone
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165–170