Edited by Peter Eckersall and Edward Scheer
This issue investigates how ideas of culture and one’s experiences of the world came to be actively performative in a similar vein—how perception and experience stood for the embodiment of a new politics in post-war Japan.
Articles: Satô Makoto, Yasuko Ikeuchi, Michael Hornblow, Shannon C. Moore, Jonathan Marshall, Lisa Kuly, Vera Mackie, Midori Yoshimoto, Gunhild Borggreen, and Tadashi Uchino.
Performance Review: Zack Fuller on the Dance Hakushu Festival.
Book Reviews: M. Cody Poulton on Carol Fisher Songenfrei, Mika Eglinton on Midori Yoshimoto, and Yuji Sone on Peter Eckersall, Uchino Tadashi, and Moriyama Naoto.
Table of Contents
Articles
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Peter Eckersall, Edward Scheer
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1–4
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Satô Makoto
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5–9
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Yasuko Ikeuchi
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10–29
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Michael Hornblow
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30–49
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Shannon C Moore
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50–58
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Jonathan Marshall
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59–78
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Lisa Kuly
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79–95
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Vera Mackie
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96–107
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Midori Yoshimoto
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108–122
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Gunhild Borggreen
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123–136
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Tadashi UCHINO
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137–144
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Performance Reviews
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Zack Fuller
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145–153
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Book Reviews
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M Cody Poulton
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154–160
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Mika Eglinton
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161–164
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Yuji Sone
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165–170
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