Compassionate Irritability: Interdisciplinary collaboration as an act of kindness

Kate Hunter

Abstract


‘We live only in relation to one another. Other people and our traffic with them is what makes us who we are.’

--Anne Bogart

How can interdisciplinary collaboration be enacted as a fundamental, implicit and radical act of kindness? In this paper I examine the working methodology that I established with an interdisciplinary team of collaborators over the space of four years to examine the place of kindness in the collaborative process and its manifestation through techniques, form and content.  

Using two performance projects, ‘Earshot’ (2017-19) and ‘In Perpetuity’ (in development) as case studies, I highlight the ways in which the artistic team drew on their diverse sets of disciplines (performance, contemporary and classical music, electroacoustic computer sound design and choreography) to generate new work. I discuss the ways in which kindness underpinned the collaboration, encompassing love, compassionate irritability, shared knowledge, curiosity, intelligence and rigour. I explore the notion of being kind to the work itself as a fundamental characteristic of collaboration across disciplines, and the benefits of this approach for fostering originality, aesthetic innovation, and lack of personal attachment. 

Kindness presupposed our practice, our training and our attitude in the making of these works, but in turn, the necessity of developing a shared language across disciplines also cultivated kindness. In this way, kindness and collaboration sat together in reciprocal relationship. The questions that we asked of each other - how do we describe our processes? How do we make decisions? What is important? Why? – made space for languages and sets of artistic practices which were rigorous, creative and affirming. 


Keywords


performance, theatre, inter-disciplinarity, collaboration, kindness

Full Text:

PDF

References


Bennett, Jane. 2010. Vibrant Matter: A Political Ecology of Things. London and Durham: Duke University Press.

Bogart, Anne. 2007. And Then You Act: Making Art in an Unpredictable World. New York: Routledge.

Bogart, Anne. 2014. What’s The Story: Essays about Art, Theater and Storytelling. New York: Routledge.

Etchells, Tim. 1999. Certain Fragments: Contemporary Performance and Forced Entertainment. New York: Routledge.

Féral, Josette. 2012. “How To Define Presence Effects”. In Archaeologies of Presence: Art, Performance, and the Persistence of Being, edited by Gabriella Giannachi, Nick Kaye and Michael Shanks, 29-49. New York: Routledge.

Graham, Scott and Steven Hoggett. 2009. The Frantic Assembly Book of Devising Theatre. New York: Routledge.

Govan, Emma, Helen Nicholson and Katie Normington. 2007. Making a Performance: Devising Histories and Contemporary Practices. New York: Routledge.


Refbacks

  • There are currently no refbacks.