|
Issue |
Title |
|
Vol 2 Japan After the 1960s: The Ends of the Avant-Garde |
The Spectacle of Woman in Japanese Underground Theatre Posters |
Abstract
PDF
|
Vera Mackie |
|
Vol 6 Interruptions: Letters to Jimmie Durham |
The ‘Nervous State’: A Conversation between Jimmie Durham and Mick Taussig |
Abstract
PDF
|
Jimmie Durham, Michael Taussig |
|
Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore |
The ‘Real’ World, Interdisciplinary Arts and the Community: An Interview with the Artistic Director of The Substation – A Home for the Arts |
Abstract
PDF
|
Noor Effendy Ibrahim, C. J. W.-L. Wee |
|
Vol 5, No 1 After Effects: Performing the Ends of Memory |
Theatre, ecological sanity, and finding Baz Kershaw |
Abstract
PDF
|
Paul Brown |
|
Vol 14 Performance, Politics, and Non-Participation |
Theatre, Exhibition, and Curation: Displayed and Performed by Georgina Guy (New York: Routledge, 2016) |
Abstract
PDF
|
Gabriella Giannachi |
|
Vol 1 Live Ends: Performance in the Information Age |
Theatre of Agencies: The LGB Story |
Abstract
PDF
|
Ray LanGenBach |
|
Vol 14 Performance, Politics, and Non-Participation |
Theatre of Real People: Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond by Ulrike Garde and Meg Mumford (London: Bloomsbury, 2016) |
Abstract
PDF
|
Hilary Halba |
|
Vol 11 Staging Real People |
Theatre of the Real, by Carol Martin (Basingstoke: Palgrave Macmillan, 2013) |
Abstract
PDF
|
Caroline Wake |
|
Vol 3 The End of Ethics? Performance, Politics, and War |
Theatre of/or Truth |
Abstract
PDF
|
Maaike Bleeker |
|
Vol 12 Performance, Technology, and Intimacy |
Theatre/Data: Cate Blanchett’s Manifesto of Futurist Finance |
Abstract
PDF
|
Paul Rae |
|
No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World |
Theatrical Agencies and Performance Principles: MARSH (Materializing and Activating Radical Social Habitus) |
Abstract
PDF
|
Esther Neff |
|
Vol 11 Staging Real People |
Theatricality, Dark Tourism and Ethical Spectatorship: Absent Others, by Emma Willis (Basingstoke: Palgrave Macmillan, 2014) |
Abstract
PDF
|
Lisa Fitzpatrick |
|
Vol 5, No 1 After Effects: Performing the Ends of Memory |
Theorising the Angura Space: avant-garde performance and politics in Japan 1960-2000, Peter Eckersall (Leiden, Brill Academic, 2006) |
Abstract
PDF
|
Michael Cohen |
|
Vol 14 Performance, Politics, and Non-Participation |
"This is my doodle": Non-Participation, Performance, and the Singapore Memory Project |
Abstract
PDF
|
Nien Cheng |
|
Vol 6 Interruptions: Letters to Jimmie Durham |
THIS: Message in a Bottle to Jimmie Durham |
Abstract
PDF
|
Kim Satchell |
|
Vol 13 Performance, Choreography, and the Gallery |
Thoughts on Performing (inside a work / as a work / as work) at Newtown Library |
Abstract
PDF
|
Lizzie Thomson |
|
No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World |
To the Ends of the World |
Abstract
PDF
|
Emma Willis, Nien Yuan Cheng, Chris Hay |
|
Vol 5, No 1 After Effects: Performing the Ends of Memory |
Towards a Phenomenology of the Witness to Pain: Dis/Identification and the Orlanian Other |
Abstract
PDF
|
Christine Stoddard |
|
Vol 2 Japan After the 1960s: The Ends of the Avant-Garde |
Tradition and Innovation: Dance Hakushu 2005. August twelfth through twenty-first, Body Weather Farm, Yamanashi, Japan. |
Abstract
PDF
|
Zack Fuller |
|
Vol 9 Assembling Wonder |
Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia, by Margaret Hamilton |
Abstract
PDF
|
Denise Varney |
|
Vol 2 Japan After the 1960s: The Ends of the Avant-Garde |
Translation, Hybridity, and ‘The Real Thing’: Don Kenny’s English Kyôgen |
Abstract
PDF
|
Lisa Kuly |
|
Vol 5, No 1 After Effects: Performing the Ends of Memory |
Trauma, Antagonism and the Bodies of Others: A Dialogue on Delegated Performance |
Abstract
PDF
|
Claire Bishop, Julia Austin |
|
No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World |
Turn or Else |
Abstract
PDF
|
Goran Sergej Pristaš |
|
Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore |
Two-Trick Pony |
Abstract
PDF
|
Paul Rae, Kaylene Tan |
|
Vol 3 The End of Ethics? Performance, Politics, and War |
Unsettling Space: Contestations in Contemporary Australian Theatre, Joanne Tompkins |
Abstract
PDF
|
Gay McAuley |
|
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