| Issue | Title | |
| Vol 13 Performance, Choreography, and the Gallery | Staging Queer Feminisms by Sarah French (London: Palgrave Macmillan, 2017) | Abstract PDF |
| Peta Tait | ||
| Vol 11 Staging Real People | Staging Wounded Soldiers: The Affects and Effects of Post-Traumatic Theatre | Abstract PDF |
| Ariane de Waal | ||
| No 16 (2021): Performance and Radical Kindness | Still Small: Contemplation in action | Abstract PDF |
| Erik Ehn | ||
| Vol 11 Staging Real People | Studying Disability Arts and Culture: An Introduction, by Petra Kuppers (Basingstoke: Palgrave Macmillan, 2014) | Abstract PDF |
| Natalie Lazaroo | ||
| Vol 13 Performance, Choreography, and the Gallery | Tactical Moves in Strategic Places: Performing Val, The Invisible in the MCA, Australia | Abstract PDF |
| Julie-Anne Long | ||
| Vol 6 Interruptions: Letters to Jimmie Durham | Tall Stories: On poetical and non poetical prose and rhythms in fieldwork notes, July 2003, Colombia | Abstract PDF |
| Michael Taussig | ||
| No 16 (2021): Performance and Radical Kindness | Tenderness Between Strangers: Intimate exchanges on banlieue wastelands | Abstract PDF |
| Sarah Harper | ||
| Vol 4 Emergences: 21st-Century Performance | Terrifying Grief | Abstract PDF |
| Sam Trubridge | ||
| Vol 5, No 1 After Effects: Performing the Ends of Memory | The Accident and the Account: Towards a Taxonomy of Spectatorial Witness in Theatre and Performance Studies | Abstract PDF |
| Caroline Wake | ||
| Vol 13 Performance, Choreography, and the Gallery | The Ambivalent Politics of One-to-One Performance | Abstract PDF |
| Caroline Wake | ||
| Vol 4 Emergences: 21st-Century Performance | The Augmented Theatre in Virtualised Society: See You in Walhalla | Abstract PDF |
| Eirini Nedelkopoulou | ||
| Vol 14 Performance, Politics, and Non-Participation | The Contemporary Political Play by Sarah Grochala (London: Bloomsbury, 2017) | Abstract PDF |
| Corey Wakeling | ||
| Vol 11 Staging Real People | The Corpse Corpses: Non-Professional Performers and Misperformance | Abstract PDF |
| Chris Hay | ||
| Vol 14 Performance, Politics, and Non-Participation | The Heckler’s Promise | Abstract PDF |
| Mel Jordan, Lee Campbell | ||
| No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World | The Joys of Jon McK?$#&!: Reading McKenzie's Perform or Else After Laurie Anderson | Abstract PDF |
| Edward Scheer | ||
| No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World | The Making of Perform or Else | Abstract PDF |
| Tim Edkins, Jon McKenzie | ||
| Vol 4 Emergences: 21st-Century Performance | The Male Dancer: Bodies, Spectacle, Sexualities, (Second Edition), Ramsay Burt (London and New York: Routledge, 2007). | Abstract PDF |
| Maggi Phillips | ||
| Vol 4 Emergences: 21st-Century Performance | The More I Study Nature: Georgiana Molloy and the Code of Modernity | Abstract PDF |
| Angela Campbell | ||
| Vol 12 Performance, Technology, and Intimacy | The New Time and Space by John Potts (Basingstoke: Palgrave Macmillan, 2015) | Abstract PDF |
| Prudence Gibson | ||
| No 16 (2021): Performance and Radical Kindness | The Other Country that You Are: A Performative Essay and Video Work exploring Radical Kindness in the Chilean Peoples Uprising of 2019 | Abstract PDF |
| Alys Longley | ||
| Vol 1 Live Ends: Performance in the Information Age | The Politics of Compassion in Theatre and the Economics of Emotions: Alladeen at the 2004 Melbourne International Arts Festival | Abstract |
| Peta Tait | ||
| No 16 (2021): Performance and Radical Kindness | The potential of radical kindness as a methodology in applied theatre in arts and health | Abstract PDF |
| Katharine E. Low | ||
| No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World | The Racial Haptics of ASMR: @breadfaceblog and the Curation of Instagram | Abstract PDF |
| Ali Na | ||
| Vol 10 Performances of Resistance, Resisting Performance | The Resistances of the Body: On Durational Art and Tehching Hsieh | Abstract PDF |
| Mike Parr, Edward Scheer | ||
| Vol 5, No 2 After Effects: Performing the Ends of Memory | The Scar of Visibility: Medical Performances and Contemporary Art, Petra Kuppers (University of Minnesota Press, 2007). | Abstract PDF |
| Erin Hefferon | ||
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