|
Issue |
Title |
|
Vol 13 Performance, Choreography, and the Gallery |
Staging Queer Feminisms by Sarah French (London: Palgrave Macmillan, 2017) |
Abstract
PDF
|
Peta Tait |
|
Vol 11 Staging Real People |
Staging Wounded Soldiers: The Affects and Effects of Post-Traumatic Theatre |
Abstract
PDF
|
Ariane de Waal |
|
No 16 (2021): Performance and Radical Kindness |
Still Small: Contemplation in action |
Abstract
PDF
|
Erik Ehn |
|
Vol 11 Staging Real People |
Studying Disability Arts and Culture: An Introduction, by Petra Kuppers (Basingstoke: Palgrave Macmillan, 2014) |
Abstract
PDF
|
Natalie Lazaroo |
|
Vol 13 Performance, Choreography, and the Gallery |
Tactical Moves in Strategic Places: Performing Val, The Invisible in the MCA, Australia |
Abstract
PDF
|
Julie-Anne Long |
|
Vol 6 Interruptions: Letters to Jimmie Durham |
Tall Stories: On poetical and non poetical prose and rhythms in fieldwork notes, July 2003, Colombia |
Abstract
PDF
|
Michael Taussig |
|
No 16 (2021): Performance and Radical Kindness |
Tenderness Between Strangers: Intimate exchanges on banlieue wastelands |
Abstract
PDF
|
Sarah Harper |
|
Vol 4 Emergences: 21st-Century Performance |
Terrifying Grief |
Abstract
PDF
|
Sam Trubridge |
|
Vol 5, No 1 After Effects: Performing the Ends of Memory |
The Accident and the Account: Towards a Taxonomy of Spectatorial Witness in Theatre and Performance Studies |
Abstract
PDF
|
Caroline Wake |
|
Vol 13 Performance, Choreography, and the Gallery |
The Ambivalent Politics of One-to-One Performance |
Abstract
PDF
|
Caroline Wake |
|
Vol 4 Emergences: 21st-Century Performance |
The Augmented Theatre in Virtualised Society: See You in Walhalla |
Abstract
PDF
|
Eirini Nedelkopoulou |
|
Vol 14 Performance, Politics, and Non-Participation |
The Contemporary Political Play by Sarah Grochala (London: Bloomsbury, 2017) |
Abstract
PDF
|
Corey Wakeling |
|
Vol 11 Staging Real People |
The Corpse Corpses: Non-Professional Performers and Misperformance |
Abstract
PDF
|
Chris Hay |
|
Vol 14 Performance, Politics, and Non-Participation |
The Heckler’s Promise |
Abstract
PDF
|
Mel Jordan, Lee Campbell |
|
No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World |
The Joys of Jon McK?$#&!: Reading McKenzie's Perform or Else After Laurie Anderson |
Abstract
PDF
|
Edward Scheer |
|
No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World |
The Making of Perform or Else |
Abstract
PDF
|
Tim Edkins, Jon McKenzie |
|
Vol 4 Emergences: 21st-Century Performance |
The Male Dancer: Bodies, Spectacle, Sexualities, (Second Edition), Ramsay Burt (London and New York: Routledge, 2007). |
Abstract
PDF
|
Maggi Phillips |
|
Vol 4 Emergences: 21st-Century Performance |
The More I Study Nature: Georgiana Molloy and the Code of Modernity |
Abstract
PDF
|
Angela Campbell |
|
Vol 12 Performance, Technology, and Intimacy |
The New Time and Space by John Potts (Basingstoke: Palgrave Macmillan, 2015) |
Abstract
PDF
|
Prudence Gibson |
|
No 16 (2021): Performance and Radical Kindness |
The Other Country that You Are: A Performative Essay and Video Work exploring Radical Kindness in the Chilean Peoples Uprising of 2019 |
Abstract
PDF
|
Alys Longley |
|
Vol 1 Live Ends: Performance in the Information Age |
The Politics of Compassion in Theatre and the Economics of Emotions: Alladeen at the 2004 Melbourne International Arts Festival |
Abstract
|
Peta Tait |
|
No 16 (2021): Performance and Radical Kindness |
The potential of radical kindness as a methodology in applied theatre in arts and health |
Abstract
PDF
|
Katharine E. Low |
|
No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World |
The Racial Haptics of ASMR: @breadfaceblog and the Curation of Instagram |
Abstract
PDF
|
Ali Na |
|
Vol 10 Performances of Resistance, Resisting Performance |
The Resistances of the Body: On Durational Art and Tehching Hsieh |
Abstract
PDF
|
Mike Parr, Edward Scheer |
|
Vol 5, No 2 After Effects: Performing the Ends of Memory |
The Scar of Visibility: Medical Performances and Contemporary Art, Petra Kuppers (University of Minnesota Press, 2007). |
Abstract
PDF
|
Erin Hefferon |
|
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