Browse Title Index


 
Issue Title
 
Vol 14 Performance, Politics, and Non-Participation Theatre, Exhibition, and Curation: Displayed and Performed by Georgina Guy (New York: Routledge, 2016) Abstract   PDF
Gabriella Giannachi
 
Vol 1 Live Ends: Performance in the Information Age Theatre of Agencies: The LGB Story Abstract   PDF
Ray LanGenBach
 
Vol 14 Performance, Politics, and Non-Participation Theatre of Real People: Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond by Ulrike Garde and Meg Mumford (London: Bloomsbury, 2016) Abstract   PDF
Hilary Halba
 
Vol 11 Staging Real People Theatre of the Real, by Carol Martin (Basingstoke: Palgrave Macmillan, 2013) Abstract   PDF
Caroline Wake
 
Vol 3 The End of Ethics? Performance, Politics, and War Theatre of/or Truth Abstract   PDF
Maaike Bleeker
 
Vol 12 Performance, Technology, and Intimacy Theatre/Data: Cate Blanchett’s Manifesto of Futurist Finance Abstract   PDF
Paul Rae
 
Vol 11 Staging Real People Theatricality, Dark Tourism and Ethical Spectatorship: Absent Others, by Emma Willis (Basingstoke: Palgrave Macmillan, 2014) Abstract   PDF
Lisa Fitzpatrick
 
Vol 5, No 1 After Effects: Performing the Ends of Memory Theorising the Angura Space: avant-garde performance and politics in Japan 1960-2000, Peter Eckersall (Leiden, Brill Academic, 2006) Abstract   PDF
Michael Cohen
 
Vol 14 Performance, Politics, and Non-Participation "This is my doodle": Non-Participation, Performance, and the Singapore Memory Project Abstract   PDF
Nien Cheng
 
Vol 6 Interruptions: Letters to Jimmie Durham THIS: Message in a Bottle to Jimmie Durham Abstract   PDF
Kim Satchell
 
Vol 13 Performance, Choreography, and the Gallery Thoughts on Performing (inside a work / as a work / as work) at Newtown Library Abstract   PDF
Lizzie Thomson
 
Vol 5, No 1 After Effects: Performing the Ends of Memory Towards a Phenomenology of the Witness to Pain: Dis/Identification and the Orlanian Other Abstract   PDF
Christine Stoddard
 
Vol 2 Japan After the 1960s: The Ends of the Avant-Garde Tradition and Innovation: Dance Hakushu 2005. August twelfth through twenty-first, Body Weather Farm, Yamanashi, Japan. Abstract   PDF
Zack Fuller
 
Vol 9 Assembling Wonder Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia, by Margaret Hamilton Abstract   PDF
Denise Varney
 
Vol 2 Japan After the 1960s: The Ends of the Avant-Garde Translation, Hybridity, and ‘The Real Thing’: Don Kenny’s English Kyôgen Abstract   PDF
Lisa Kuly
 
Vol 5, No 1 After Effects: Performing the Ends of Memory Trauma, Antagonism and the Bodies of Others: A Dialogue on Delegated Performance Abstract   PDF
Claire Bishop, Julia Austin
 
Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore Two-Trick Pony Abstract   PDF
Paul Rae, Kaylene Tan
 
Vol 3 The End of Ethics? Performance, Politics, and War Unsettling Space: Contestations in Contemporary Australian Theatre, Joanne Tompkins Abstract   PDF
Gay McAuley
 
Vol 2 Japan After the 1960s: The Ends of the Avant-Garde Unspeakable Acts: The Avant-Garde Theatre of Terayama Shûji and Postwar Japan, Carol Fisher Sorgenfrei Abstract   PDF
M Cody Poulton
 
Vol 1 Live Ends: Performance in the Information Age Vibrations in the Air: Performance and Interactive Technics Abstract   PDF
Andrew Murphie
 
Vol 5, No 1 After Effects: Performing the Ends of Memory Visuality in the Theatre: The Locus of Looking, Maaike Bleeker (Basingstoke, Palgrave MacMillian, 2008) Abstract   PDF
Peta Tait
 
Vol 6 Interruptions: Letters to Jimmie Durham Vulture and its … Abstract   PDF
Nikos Papastergiadis
 
Vol 11 Staging Real People Wanna Play? Dries Verhoeven and the Limits of Non-Professional Performance Abstract   PDF
Michael Bachmann
 
Vol 5, No 1 After Effects: Performing the Ends of Memory Watching Whoopi: The Ethics and Politics of the Ethics of Witnessing Abstract   PDF
Geraldine Harris
 
Vol 4 Emergences: 21st-Century Performance We Are Cells: BioArt, Semi-Livings, and Visceral Threat Abstract   PDF
Kate Rossmanith
 
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