Browse Title Index


 
Issue Title
 
Vol 5, No 1 After Effects: Performing the Ends of Memory Theorising the Angura Space: avant-garde performance and politics in Japan 1960-2000, Peter Eckersall (Leiden, Brill Academic, 2006) Abstract   PDF
Michael Cohen
 
Vol 14 Performance, Politics, and Non-Participation "This is my doodle": Non-Participation, Performance, and the Singapore Memory Project Abstract   PDF
Nien Cheng
 
Vol 6 Interruptions: Letters to Jimmie Durham THIS: Message in a Bottle to Jimmie Durham Abstract   PDF
Kim Satchell
 
Vol 13 Performance, Choreography, and the Gallery Thoughts on Performing (inside a work / as a work / as work) at Newtown Library Abstract   PDF
Lizzie Thomson
 
Vol 5, No 1 After Effects: Performing the Ends of Memory Towards a Phenomenology of the Witness to Pain: Dis/Identification and the Orlanian Other Abstract   PDF
Christine Stoddard
 
Vol 2 Japan After the 1960s: The Ends of the Avant-Garde Tradition and Innovation: Dance Hakushu 2005. August twelfth through twenty-first, Body Weather Farm, Yamanashi, Japan. Abstract   PDF
Zack Fuller
 
Vol 9 Assembling Wonder Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia, by Margaret Hamilton Abstract   PDF
Denise Varney
 
Vol 2 Japan After the 1960s: The Ends of the Avant-Garde Translation, Hybridity, and ‘The Real Thing’: Don Kenny’s English Kyôgen Abstract   PDF
Lisa Kuly
 
Vol 5, No 1 After Effects: Performing the Ends of Memory Trauma, Antagonism and the Bodies of Others: A Dialogue on Delegated Performance Abstract   PDF
Claire Bishop, Julia Austin
 
Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore Two-Trick Pony Abstract   PDF
Paul Rae, Kaylene Tan
 
Vol 3 The End of Ethics? Performance, Politics, and War Unsettling Space: Contestations in Contemporary Australian Theatre, Joanne Tompkins Abstract   PDF
Gay McAuley
 
Vol 2 Japan After the 1960s: The Ends of the Avant-Garde Unspeakable Acts: The Avant-Garde Theatre of Terayama Shûji and Postwar Japan, Carol Fisher Sorgenfrei Abstract   PDF
M Cody Poulton
 
Vol 1 Live Ends: Performance in the Information Age Vibrations in the Air: Performance and Interactive Technics Abstract   PDF
Andrew Murphie
 
Vol 5, No 1 After Effects: Performing the Ends of Memory Visuality in the Theatre: The Locus of Looking, Maaike Bleeker (Basingstoke, Palgrave MacMillian, 2008) Abstract   PDF
Peta Tait
 
Vol 6 Interruptions: Letters to Jimmie Durham Vulture and its … Abstract   PDF
Nikos Papastergiadis
 
Vol 11 Staging Real People Wanna Play? Dries Verhoeven and the Limits of Non-Professional Performance Abstract   PDF
Michael Bachmann
 
Vol 5, No 1 After Effects: Performing the Ends of Memory Watching Whoopi: The Ethics and Politics of the Ethics of Witnessing Abstract   PDF
Geraldine Harris
 
Vol 4 Emergences: 21st-Century Performance We Are Cells: BioArt, Semi-Livings, and Visceral Threat Abstract   PDF
Kate Rossmanith
 
Vol 7 Images of Happiness We are the fresh food people: The Supermarket as a performance of happiness Abstract   PDF
Edie Paterson
 
Vol 13 Performance, Choreography, and the Gallery What Kind of Work Is This? Performance and Materialisms in the Gallery Abstract   PDF
Theron Schmidt
 
Vol 13 Performance, Choreography, and the Gallery What What We Do Does Abstract   PDF
Rebecca Hilton
 
Vol 12 Performance, Technology, and Intimacy William Yang: Stories of Love and Death by Helena Grehan and Edward Scheer (Sydney: NewSouth Publishing, 2016) Abstract   PDF
Teik-Kim Pok
 
Vol 13 Performance, Choreography, and the Gallery Wine and Swish: Rebecca Ann Hobbs’ Dancevideos in the Mall Abstract   PDF
Victoria Wynne-Jones
 
Vol 14 Performance, Politics, and Non-Participation You Are Invited Not to Attend: Answering the Call for a Cultural Boycott of the Shiraz Festival of the Arts Abstract   PDF
Lindsay Goss
 
Vol 5, No 2 After Effects: Performing the Ends of Memory ‘Did you mean post-traumatic theatre?’: The vicissitudes of traumatic memory in contemporary postdramatic performances Abstract   PDF
Karen Jürs-Munby
 
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