| Issue | Title | |
| Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore | On the Individualistic Artist and Collectives in Organising Art Events: An Interview with Lee Wen | Abstract PDF |
| Lee Wen, C. J. W.-L. Wee | ||
| Vol 6 Interruptions: Letters to Jimmie Durham | On the train again: apparitions across the Nullarbor (to the spirit, not to the letter of Jimmie Durham) | Abstract PDF |
| Hamish Morgan | ||
| Vol 2 Japan After the 1960s: The Ends of the Avant-Garde | On Vernacular Theatre | Abstract PDF |
| Satô Makoto | ||
| Vol 4 Emergences: 21st-Century Performance | Optimism and Pessimism: Cynthia Hopkins Returns to the Stage as an Alien Mother | Abstract PDF |
| Beth Kurkjian | ||
| Vol 13 Performance, Choreography, and the Gallery | Orienting through Blindness: Blundering, Be-Holding, and Wayfinding as Artistic and Curatorial Methods | Abstract PDF |
| Fayen d'Evie | ||
| No 16 (2021): Performance and Radical Kindness | Our body recognises kindness: Moving, nature and labours unacknowledged | Abstract PDF |
| Rea Dennis | ||
| No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World | Paranoiac-critical Performance | Abstract PDF |
| Fabian Muniesa | ||
| Vol 3 The End of Ethics? Performance, Politics, and War | Pathologies of Hope | Abstract PDF |
| Baz Kershaw | ||
| Vol 4 Emergences: 21st-Century Performance | Performance and Place, Leslie Hill and Helen Paris (New York: Palgrave Macmillan, 2006). | Abstract PDF |
| David Moody | ||
| Vol 13 Performance, Choreography, and the Gallery | Performance, Choreography, and the Gallery: Materiality, Attention, Agency, Sensation, and Instability | Abstract PDF |
| Erin Brannigan, Hannah Mathews | ||
| Vol 14 Performance, Politics, and Non-Participation | Performance, Feminism and Affect in Neoliberal Times Edited by Elin Diamond, Denise Varney and Candice Amich (London: Palgrave Macmillan, 2017) | Abstract PDF |
| Jenn Stephenson | ||
| Vol 7 Images of Happiness | Performance in Place of War by James Thompson, Jenny Hughes and Michael Balfour (Calcutta: Seagull Books, 2009) | Abstract PDF |
| Pip Rundle | ||
| Vol 3 The End of Ethics? Performance, Politics, and War | Performance, Politicians, and War: Selling Iraq in the Culture War | Abstract PDF |
| David Williams | ||
| Vol 12 Performance, Technology, and Intimacy | Performance, Technology, Intimacy | Abstract PDF |
| Caroline Wake | ||
| Vol 2 Japan After the 1960s: The Ends of the Avant-Garde | Performances of Masculinity in Angura Theatre: Suzuki Tadashi on the Actress and Satô Makoto’s Abe Sada’s Dogs | Abstract PDF |
| Yasuko Ikeuchi | ||
| Vol 12 Performance, Technology, and Intimacy | Performing Feeling in Cultures of Memory by Bryoni Trezise (Basingstoke: Palgrave Macmillan, 2014) | Abstract PDF |
| Laurie Beth Clark | ||
| Vol 13 Performance, Choreography, and the Gallery | Performing Formats: HYPERLANDS | Abstract PDF |
| Alice Heyward | ||
| Vol 1 Live Ends: Performance in the Information Age | Performing In-Difference E-Interview | Abstract PDF |
| Edward Scheer, Stelarc . | ||
| Vol 11 Staging Real People | Performing Site-Specific Theatre: Politics, Place, Practice, edited by Anna Birch and Joanne Tompkins (Basingstoke: Palgrave Macmillan, 2012) | Abstract PDF |
| Andrew Filmer | ||
| Vol 3 The End of Ethics? Performance, Politics, and War | Performing War: ‘Military Theatre’ and the Possibilities of Resistance | Abstract PDF |
| Michael Balfour | ||
| Vol 14 Performance, Politics, and Non-Participation | Places for Happiness: Community, Self, and Performance in the Philippines by William Peterson (Honolulu: University of Hawai’i Press, 2016) | Abstract PDF |
| Paul Dwyer | ||
| Vol 7 Images of Happiness | Playing for Real: Actors on Playing Real People, edited By Tom Cantrell and Mary Luckhurst (UK: Palgrave Macmillan 2010) | Abstract PDF |
| Glen McGillivray | ||
| Vol 15 Performing Southern Feminisms | Poethics of Queer Resurrection in Black South African Performance: I Stand Corrected and Somnyama Ngonyama | Abstract PDF |
| Aylwyn Walsh | ||
| Vol 14 Performance, Politics, and Non-Participation | Politics, Ethics and Performance: Hélène Cixous and the Théâtre du Soleil Edited and Translated by Lara Stevens (Melbourne: re-press, 2016) | Abstract PDF |
| Judith Miller | ||
| Vol 14 Performance, Politics, and Non-Participation | Politics, Performance, and Non-Participation | Abstract PDF |
| Caroline Wake, Emma Willis | ||
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