| Issue | Title | |
| No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World | To the Ends of the World | Abstract PDF |
| Emma Willis, Nien Yuan Cheng, Chris Hay | ||
| Vol 5, No 1 After Effects: Performing the Ends of Memory | Towards a Phenomenology of the Witness to Pain: Dis/Identification and the Orlanian Other | Abstract PDF |
| Christine Stoddard | ||
| Vol 2 Japan After the 1960s: The Ends of the Avant-Garde | Tradition and Innovation: Dance Hakushu 2005. August twelfth through twenty-first, Body Weather Farm, Yamanashi, Japan. | Abstract PDF |
| Zack Fuller | ||
| Vol 9 Assembling Wonder | Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia, by Margaret Hamilton | Abstract PDF |
| Denise Varney | ||
| Vol 2 Japan After the 1960s: The Ends of the Avant-Garde | Translation, Hybridity, and ‘The Real Thing’: Don Kenny’s English Kyôgen | Abstract PDF |
| Lisa Kuly | ||
| Vol 5, No 1 After Effects: Performing the Ends of Memory | Trauma, Antagonism and the Bodies of Others: A Dialogue on Delegated Performance | Abstract PDF |
| Claire Bishop, Julia Austin | ||
| No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World | Turn or Else | Abstract PDF |
| Goran Sergej Pristaš | ||
| Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore | Two-Trick Pony | Abstract PDF |
| Paul Rae, Kaylene Tan | ||
| Vol 3 The End of Ethics? Performance, Politics, and War | Unsettling Space: Contestations in Contemporary Australian Theatre, Joanne Tompkins | Abstract PDF |
| Gay McAuley | ||
| Vol 2 Japan After the 1960s: The Ends of the Avant-Garde | Unspeakable Acts: The Avant-Garde Theatre of Terayama Shûji and Postwar Japan, Carol Fisher Sorgenfrei | Abstract PDF |
| M Cody Poulton | ||
| Vol 1 Live Ends: Performance in the Information Age | Vibrations in the Air: Performance and Interactive Technics | Abstract PDF |
| Andrew Murphie | ||
| Vol 5, No 1 After Effects: Performing the Ends of Memory | Visuality in the Theatre: The Locus of Looking, Maaike Bleeker (Basingstoke, Palgrave MacMillian, 2008) | Abstract PDF |
| Peta Tait | ||
| Vol 6 Interruptions: Letters to Jimmie Durham | Vulture and its … | Abstract PDF |
| Nikos Papastergiadis | ||
| Vol 11 Staging Real People | Wanna Play? Dries Verhoeven and the Limits of Non-Professional Performance | Abstract PDF |
| Michael Bachmann | ||
| Vol 5, No 1 After Effects: Performing the Ends of Memory | Watching Whoopi: The Ethics and Politics of the Ethics of Witnessing | Abstract PDF |
| Geraldine Harris | ||
| Vol 4 Emergences: 21st-Century Performance | We Are Cells: BioArt, Semi-Livings, and Visceral Threat | Abstract PDF |
| Kate Rossmanith | ||
| Vol 7 Images of Happiness | We are the fresh food people: The Supermarket as a performance of happiness | Abstract PDF |
| Edie Paterson | ||
| No 16 (2021): Performance and Radical Kindness | "We Know...": Collective Care in Participatory Arts | Abstract PDF |
| Sue Mayo | ||
| Vol 13 Performance, Choreography, and the Gallery | What Kind of Work Is This? Performance and Materialisms in the Gallery | Abstract PDF |
| Theron Schmidt | ||
| Vol 13 Performance, Choreography, and the Gallery | What What We Do Does | Abstract PDF |
| Rebecca Hilton | ||
| Vol 12 Performance, Technology, and Intimacy | William Yang: Stories of Love and Death by Helena Grehan and Edward Scheer (Sydney: NewSouth Publishing, 2016) | Abstract PDF |
| Teik-Kim Pok | ||
| Vol 13 Performance, Choreography, and the Gallery | Wine and Swish: Rebecca Ann Hobbs’ Dancevideos in the Mall | Abstract PDF |
| Victoria Wynne-Jones | ||
| No 16 (2021): Performance and Radical Kindness | Withness in kind | Abstract PDF |
| Lisa Samuels | ||
| Vol 14 Performance, Politics, and Non-Participation | You Are Invited Not to Attend: Answering the Call for a Cultural Boycott of the Shiraz Festival of the Arts | Abstract PDF |
| Lindsay Goss | ||
| Vol 5, No 2 After Effects: Performing the Ends of Memory | ‘Did you mean post-traumatic theatre?’: The vicissitudes of traumatic memory in contemporary postdramatic performances | Abstract PDF |
| Karen Jürs-Munby | ||
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