| Issue | Title | |
| Vol 9 Assembling Wonder | Little Public Spheres | Abstract PDF |
| Anna Hickey-Moody | ||
| Vol 1 Live Ends: Performance in the Information Age | Live Ends: Performance in the Information Age | Abstract PDF |
| Peter Eckersall, Ed Scheer | ||
| Vol 12 Performance, Technology, and Intimacy | Love and Information: Ethical Spectatorship, Freedom, and the Limits of Time | Abstract PDF |
| Helena Grehan | ||
| Vol 11 Staging Real People | Love Songs and Awkwardness: Non-Professional Performers and Affective Labour | Abstract PDF |
| Eleanor Massie | ||
| Vol 3 The End of Ethics? Performance, Politics, and War | Making Theatre in Northern Ireland: Through and Beyond the Troubles, Tom Maguire | Abstract PDF |
| Rebecca Pelan | ||
| Vol 4 Emergences: 21st-Century Performance | Mapping Native Flora in NYC: The Chorography of Collaboration | Abstract PDF |
| Lise Brenner, Ulrich Lorimer, Katrina Simon | ||
| Vol 2 Japan After the 1960s: The Ends of the Avant-Garde | Mapping/Zapping ‘J’ Theatre At The Moment | Abstract PDF |
| Tadashi UCHINO | ||
| Vol 15 Performing Southern Feminisms | Messy, Feminist, Subversive, Uncertain: Three Snapshots of Collaborative Practice | Abstract PDF |
| Nisha Madhan, Julia Croft | ||
| Vol 10 Performances of Resistance, Resisting Performance | Michael Balfour, ed. Refugee Performance: Practical Encounters (Bristol: Intellect, 2013) | Abstract PDF |
| Caroline Wake | ||
| No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World | Mise en abyme: A Tour of Jon McKenzie's Thought-action | Abstract PDF |
| Nien Yuan Cheng, Chris Hay, Emma Willis, Jon McKenzie | ||
| No 19 (2024): Moving South: The Reconceptualisation of Dance Research in the 2020s | Moving South: The Reconceptualisation of Dance Research in the 2020s | Abstract PDF |
| Erin Brannigan, Siobhan Murphy, Tia Reihana-Morunga | ||
| Vol 9 Assembling Wonder | Multimedia Performance, by Rosemary Klich and Edward Scheer | Review By Yuji Sone | Abstract PDF |
| Yuji Sone | ||
| Vol 10 Performances of Resistance, Resisting Performance | Networks of Resistance: Connecting Stage, Street and Social Media in Tony Kushner’s Only We Who Guard The Mystery Shall Be Unhappy | Abstract PDF |
| Lara Stevens | ||
| Vol 14 Performance, Politics, and Non-Participation | New Media Dramaturgy: Performance, Media, and New Materialism by Peter Eckersall, Helena Grehan, and Edward Scheer (London: Palgrave Macmillan, 2017) | Abstract PDF |
| Yuji Sone | ||
| Vol 13 Performance, Choreography, and the Gallery | Noa Eshkol in the Sydney Biennale: A Translation | Abstract PDF |
| Sally Gardner | ||
| Vol 2 Japan After the 1960s: The Ends of the Avant-Garde | Off Museum! Performance Art That Turned the Street | Abstract PDF |
| Midori Yoshimoto | ||
| Vol 5, No 2 After Effects: Performing the Ends of Memory | On the Ethics of Non-Disclosure: a Roundtable with Urban Theatre Projects and Collaborators | Abstract PDF |
| Tim Carroll, Roslyn Oades, Alicia Talbot, Bryoni Trezise, Caroline Wake | ||
| Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore | On the Individualistic Artist and Collectives in Organising Art Events: An Interview with Lee Wen | Abstract PDF |
| Lee Wen, C. J. W.-L. Wee | ||
| Vol 6 Interruptions: Letters to Jimmie Durham | On the train again: apparitions across the Nullarbor (to the spirit, not to the letter of Jimmie Durham) | Abstract PDF |
| Hamish Morgan | ||
| Vol 2 Japan After the 1960s: The Ends of the Avant-Garde | On Vernacular Theatre | Abstract PDF |
| Satô Makoto | ||
| Vol 4 Emergences: 21st-Century Performance | Optimism and Pessimism: Cynthia Hopkins Returns to the Stage as an Alien Mother | Abstract PDF |
| Beth Kurkjian | ||
| Vol 13 Performance, Choreography, and the Gallery | Orienting through Blindness: Blundering, Be-Holding, and Wayfinding as Artistic and Curatorial Methods | Abstract PDF |
| Fayen d'Evie | ||
| No 16 (2021): Performance and Radical Kindness | Our body recognises kindness: Moving, nature and labours unacknowledged | Abstract PDF |
| Rea Dennis | ||
| No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World | Paranoiac-critical Performance | Abstract PDF |
| Fabian Muniesa | ||
| Vol 3 The End of Ethics? Performance, Politics, and War | Pathologies of Hope | Abstract PDF |
| Baz Kershaw | ||
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