| Issue | Title | |
| Vol 4 Emergences: 21st-Century Performance | Performance and Place, Leslie Hill and Helen Paris (New York: Palgrave Macmillan, 2006). | Abstract PDF |
| David Moody | ||
| Vol 13 Performance, Choreography, and the Gallery | Performance, Choreography, and the Gallery: Materiality, Attention, Agency, Sensation, and Instability | Abstract PDF |
| Erin Brannigan, Hannah Mathews | ||
| Vol 14 Performance, Politics, and Non-Participation | Performance, Feminism and Affect in Neoliberal Times Edited by Elin Diamond, Denise Varney and Candice Amich (London: Palgrave Macmillan, 2017) | Abstract PDF |
| Jenn Stephenson | ||
| Vol 7 Images of Happiness | Performance in Place of War by James Thompson, Jenny Hughes and Michael Balfour (Calcutta: Seagull Books, 2009) | Abstract PDF |
| Pip Rundle | ||
| Vol 3 The End of Ethics? Performance, Politics, and War | Performance, Politicians, and War: Selling Iraq in the Culture War | Abstract PDF |
| David Williams | ||
| Vol 12 Performance, Technology, and Intimacy | Performance, Technology, Intimacy | Abstract PDF |
| Caroline Wake | ||
| Vol 2 Japan After the 1960s: The Ends of the Avant-Garde | Performances of Masculinity in Angura Theatre: Suzuki Tadashi on the Actress and Satô Makoto’s Abe Sada’s Dogs | Abstract PDF |
| Yasuko Ikeuchi | ||
| Vol 12 Performance, Technology, and Intimacy | Performing Feeling in Cultures of Memory by Bryoni Trezise (Basingstoke: Palgrave Macmillan, 2014) | Abstract PDF |
| Laurie Beth Clark | ||
| Vol 13 Performance, Choreography, and the Gallery | Performing Formats: HYPERLANDS | Abstract PDF |
| Alice Heyward | ||
| Vol 1 Live Ends: Performance in the Information Age | Performing In-Difference E-Interview | Abstract PDF |
| Edward Scheer, Stelarc . | ||
| Vol 11 Staging Real People | Performing Site-Specific Theatre: Politics, Place, Practice, edited by Anna Birch and Joanne Tompkins (Basingstoke: Palgrave Macmillan, 2012) | Abstract PDF |
| Andrew Filmer | ||
| Vol 3 The End of Ethics? Performance, Politics, and War | Performing War: ‘Military Theatre’ and the Possibilities of Resistance | Abstract PDF |
| Michael Balfour | ||
| Vol 14 Performance, Politics, and Non-Participation | Places for Happiness: Community, Self, and Performance in the Philippines by William Peterson (Honolulu: University of Hawai’i Press, 2016) | Abstract PDF |
| Paul Dwyer | ||
| Vol 7 Images of Happiness | Playing for Real: Actors on Playing Real People, edited By Tom Cantrell and Mary Luckhurst (UK: Palgrave Macmillan 2010) | Abstract PDF |
| Glen McGillivray | ||
| Vol 15 Performing Southern Feminisms | Poethics of Queer Resurrection in Black South African Performance: I Stand Corrected and Somnyama Ngonyama | Abstract PDF |
| Aylwyn Walsh | ||
| No 20 (2025): The Missing of it All: Archives, Artists, and Absences | Political Theatre in the ‘Climate of Fear’: Censorship, Dissent, and Kennett’s Victoria | Abstract PDF |
| Izabella Nantsou | ||
| Vol 14 Performance, Politics, and Non-Participation | Politics, Ethics and Performance: Hélène Cixous and the Théâtre du Soleil Edited and Translated by Lara Stevens (Melbourne: re-press, 2016) | Abstract PDF |
| Judith Miller | ||
| Vol 14 Performance, Politics, and Non-Participation | Politics, Performance, and Non-Participation | Abstract PDF |
| Caroline Wake, Emma Willis | ||
| Vol 3 The End of Ethics? Performance, Politics, and War | Postdramatic Theatre, Hans-Thies Lehmann, trans. Karen Jürs-Munby | Abstract PDF |
| Denise Varney | ||
| Vol 11 Staging Real People | Productive Contradictions in The House of Bernarda Alba TNT-El Vacie Version | Abstract PDF |
| Natália da Silva Perez | ||
| Vol 11 Staging Real People | Putting Real People on Stage: Helgard Haug (Rimini Protokoll) in Conversation with Theatre Practitioners and Academics from Australia | Abstract PDF |
| Meg Mumford, John Severn | ||
| No 16 (2021): Performance and Radical Kindness | Radical Kindness and Disability Identity on the Contemporary Spanish Stage | Abstract PDF |
| Elena García-Martín | ||
| Vol 9 Assembling Wonder | Radical Visions 1968-2008: The Impact of the Sixties on Australian Drama, by Denise Varney | Review By Julian Meyrick | Abstract PDF |
| Julian Meyrick | ||
| No 20 (2025): The Missing of it All: Archives, Artists, and Absences | Radio Performance as Spectral Theatre: Synchretic Storytelling in the Home and the Nation | Abstract PDF |
| Jo Palazuelos-Krukowski | ||
| Vol 10 Performances of Resistance, Resisting Performance | Reflecting on Palestinian Theatre: A Resilient Theatre of Resistance | Abstract PDF |
| Samer Al-Saber, Yana Taylor | ||
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