| Issue | Title | |
| No 18 (2023): The Art of Subsidy / The Subsidy of Art | Beyond Fantasy: Postcapitalist possibilities for resourcing the arts in Aotearoa | Abstract PDF |
| Molly Mullen, Mark Harvey, Jessie Anderson, Elise Sterback | ||
| Vol 12 Performance, Technology, and Intimacy | Bodies of Data: Informatics in Contemporary Performance | Abstract PDF |
| Eddie Paterson | ||
| Vol 12 Performance, Technology, and Intimacy | Bodies of Thought: Twelve Australian Choreographers Ed. by Erin Brannigan and Virginia Baxter (Adelaide: Wakefield Press, 2014) | Abstract PDF |
| Alys Longley | ||
| Vol 10 Performances of Resistance, Resisting Performance | Bruce Baird, Hijikata Tatsumi and Butoh: Dancing in a Pool of Grey Grits (Basingstoke: Palgrave Macmillan, 2012) | Abstract PDF |
| Peter Eckersall | ||
| Vol 10 Performances of Resistance, Resisting Performance | Bryoni Trezise and Caroline Wake, eds. Visions and Revisions: Performance, Memory, Trauma (Copenhagen: Museum Tusculanum Press, 2013) | Abstract PDF |
| Sarah Miller | ||
| Vol 2 Japan After the 1960s: The Ends of the Avant-Garde | Bursting Bodies of Thought: Artaud and Hijikata | Abstract PDF |
| Michael Hornblow | ||
| Vol 14 Performance, Politics, and Non-Participation | Can’t or Won’t: Sneaky Feelings in the Theatre | Abstract PDF |
| Asher Warren | ||
| No 18 (2023): The Art of Subsidy / The Subsidy of Art | Careful and Curious: A Transformative Ethos for Artistic Evaluation | Abstract PDF |
| Vahri McKenzie, Denise Thwaites, Cathy Hope | ||
| Vol 9 Assembling Wonder | Challenges to Reciprocity: Gift exchange as a theoretical framework of community arts practice | Abstract PDF |
| Joanna Winchester | ||
| No 19 (2024): Moving South: The Reconceptualisation of Dance Research in the 2020s | Choreocraftivism: small gestures, gentle action and caring for things | Abstract PDF |
| Jodie McNeilly | ||
| No 19 (2024): Moving South: The Reconceptualisation of Dance Research in the 2020s | Choreographies of Collapse: Located and Unlocated Catastrophe in Works by Lucy Guerin, Garry Stewart and Meryl Tankard | Abstract PDF |
| Maggie Tonkin | ||
| No 19 (2024): Moving South: The Reconceptualisation of Dance Research in the 2020s | "Choreographing Intersubjectivity in Performance Art" by Victoria Wynne-Jones (Palgrave Macmillan, 2021) | Abstract PDF |
| Zoe Theodore | ||
| Vol 9 Assembling Wonder | Choreography as mobile architecture | Abstract PDF |
| Erin Manning | ||
| Vol 7 Images of Happiness | Christoph Schlingensief: Art Without Borders, ed. Tara Forrest and Anna Teresa Scheer (Bristol & Chicago: Intellect 2010) | Abstract PDF |
| Bree Hadley | ||
| No 16 (2021): Performance and Radical Kindness | Circus, In Crisis: Examining Care and Community in Circus Training | Abstract PDF |
| Laine Halpern Zisman | ||
| No 16 (2021): Performance and Radical Kindness | Closing Comments: a kindness that goes further | Abstract PDF |
| Alys Longley | ||
| No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World | Co-Design as a Driver of Change | Abstract PDF |
| Anna Sigridur Islind | ||
| Vol 5, No 2 After Effects: Performing the Ends of Memory | Coming to Terms with Trauma Tourism | Abstract PDF |
| Laura Beth Clark | ||
| No 16 (2021): Performance and Radical Kindness | Compassionate Irritability: Interdisciplinary collaboration as an act of kindness | Abstract PDF |
| Kate Hunter | ||
| Vol 10 Performances of Resistance, Resisting Performance | Contemporary Art, the Contemporary and Late Capitalism | C.J. W.-L. Wee | Abstract PDF |
| C.J. W.-L. Wee | ||
| Vol 4 Emergences: 21st-Century Performance | Contemporary Theatres in Europe: A Critical Companion, eds. Joe Kelleher and Nicholas Ridout (London and New York: Routledge, 2006). | Abstract PDF |
| Meg Mumford | ||
| Vol 7 Images of Happiness | Contesting Performance: Global Sites of Research, edited by Jon McKenzie, Heike Roms, and C. J. W.-L. Wee (Palgrave McMillan, London 2010) | Abstract PDF |
| Ian Maxwell | ||
| Vol 7 Images of Happiness | Contesting Performance: Global Sites of Research, edited by Jon McKenzie, Heike Roms, and C. J. W.-L. Wee (Palgrave McMillan, London 2010) | Abstract PDF |
| Ian Maxwell | ||
| Vol 13 Performance, Choreography, and the Gallery | Context, Discipline, and Understanding: The Poetics of Shelley Lasica’s Gallery-Based Work | Abstract PDF |
| Erin Brannigan | ||
| Vol 12 Performance, Technology, and Intimacy | Conversive Theatres: Performances with/in Social Media | Abstract PDF |
| Misha Myers, Dane Watkins, Richard Sobey | ||
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