| Issue | Title | |
| Vol 13 Performance, Choreography, and the Gallery | +61409457347 | Abstract |
| Erin Brannigan, Hannah Mathews | ||
| Vol 15 Performing Southern Feminisms | A Single Drop of Water: Vulnerability, Invisibility, and Accountability in South Korean Theatre’s Moment of Crisis | Abstract PDF |
| Park Younghee, Jeremy Neideck | ||
| Vol 6 Interruptions: Letters to Jimmie Durham | A Stone Pretending to be a Landscape | Abstract PDF |
| Valerie Tring | ||
| No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World | A User's Guide to Perform or Else | Abstract PDF |
| Tim Edkins | ||
| Vol 5, No 1 After Effects: Performing the Ends of Memory | After Effects: Performing the Ends of Memory. An Introduction to Volume I | Abstract PDF |
| Caroline Wake | ||
| Vol 5, No 2 After Effects: Performing the Ends of Memory | After Effects: Performing the Ends of Memory. An Introduction to Volume II | Abstract PDF |
| Bryoni Trezise | ||
| Vol 1 Live Ends: Performance in the Information Age | After Liveness: An e-interview | Abstract PDF |
| Phillip Auslander | ||
| Vol 2 Japan After the 1960s: The Ends of the Avant-Garde | Alternatives: Debating Theatre Culture in the Age of Con-Fusion, Peter Eckersall, Uchino Tadashi and Moriyama Naoto | Abstract PDF |
| Yuji Sone | ||
| Vol 5, No 2 After Effects: Performing the Ends of Memory | Ambivalent Bereavements: Embodying Loss in the Twenty-First Century | Abstract PDF |
| Bryoni Trezise | ||
| Vol 4 Emergences: 21st-Century Performance | Another Asia: Rabindranath Tagore and Okakura Tenshin, Rustom Bharucha (New Delhi: Oxford University Press, 2006). | Abstract PDF |
| Mika Eglinton | ||
| No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World | Applying Perform or Else in the Public Management Field | Abstract PDF |
| Helen Dickinson | ||
| Vol 7 Images of Happiness | Are we so happy that we’ve lost all of the ‘tragic spectators’? | Abstract PDF |
| Helena Grehan | ||
| Vol 3 The End of Ethics? Performance, Politics, and War | Art And Politics And The Zürcher Theater Spektakel | Abstract PDF |
| Margaret Hamilton, Maria Magdalena Schwaegermann | ||
| No 16 (2021): Performance and Radical Kindness | As much graft as there is craft: Refusal, Value and the Affective Economy of the Irish Arts Sector | Abstract PDF |
| Miriam Haughton | ||
| Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore | At Cake, Our Art Experiments are as Much about Reflection as They are about Trying Something New and Adventurous… | Abstract |
| Natalie Hennedige | ||
| Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore | At Cake, Our Art Experiments are as Much about Reflection as They are about Trying Something New and Adventurous… | Abstract PDF |
| Natalie Hennedige | ||
| No 18 (2023): The Art of Subsidy / The Subsidy of Art | AusStage Follows the Money: An introduction to the design and functionality of the new financial table in the AusStage database | Abstract PDF |
| Julie Holledge, Sean Weatherly, Alex Vickery-Howe, Tiffany Knight | ||
| Vol 13 Performance, Choreography, and the Gallery | Bandoneon. Working with Pina Bausch by Raimund Hoghe with photography by Ulli Weiss, translated by Penny Black, edited by Katalin Trencsényi (London: Oberon Books, 2016) | Abstract PDF |
| Thomas Kampe | ||
| Vol 4 Emergences: 21st-Century Performance | Becoming Human/Artist: Humans Moving in Accord with the Change that Makes the World | Abstract PDF |
| Elizabeth Ellsworth, Jamie Kruse | ||
| Vol 3 The End of Ethics? Performance, Politics, and War | Being Near: Visiting the Rwandan Genocide Memorial Site at Murambi, Gikongoro | Abstract PDF |
| Jeff Stewart | ||
| Vol 14 Performance, Politics, and Non-Participation | Between Participation and Non-Participation: The Generative Potential of Slow Performance and Slow Scholarship | Abstract PDF |
| Jessie Eggers | ||
| No 18 (2023): The Art of Subsidy / The Subsidy of Art | Beyond Fantasy: Postcapitalist possibilities for resourcing the arts in Aotearoa | Abstract PDF |
| Molly Mullen, Mark Harvey, Jessie Anderson, Elise Sterback | ||
| Vol 12 Performance, Technology, and Intimacy | Bodies of Data: Informatics in Contemporary Performance | Abstract PDF |
| Eddie Paterson | ||
| Vol 12 Performance, Technology, and Intimacy | Bodies of Thought: Twelve Australian Choreographers Ed. by Erin Brannigan and Virginia Baxter (Adelaide: Wakefield Press, 2014) | Abstract PDF |
| Alys Longley | ||
| Vol 10 Performances of Resistance, Resisting Performance | Bruce Baird, Hijikata Tatsumi and Butoh: Dancing in a Pool of Grey Grits (Basingstoke: Palgrave Macmillan, 2012) | Abstract PDF |
| Peter Eckersall | ||
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