| Issue | Title | |
| No 16 (2021): Performance and Radical Kindness | Still Small: Contemplation in action | Abstract PDF |
| Erik Ehn | ||
| Vol 11 Staging Real People | Studying Disability Arts and Culture: An Introduction, by Petra Kuppers (Basingstoke: Palgrave Macmillan, 2014) | Abstract PDF |
| Natalie Lazaroo | ||
| No 18 (2023): The Art of Subsidy / The Subsidy of Art | Subsidy as Choreographic Act: Examining the establishment of a permanent national ballet company in Australia | Abstract PDF |
| Gareth Belling | ||
| Vol 13 Performance, Choreography, and the Gallery | Tactical Moves in Strategic Places: Performing Val, The Invisible in the MCA, Australia | Abstract PDF |
| Julie-Anne Long | ||
| Vol 6 Interruptions: Letters to Jimmie Durham | Tall Stories: On poetical and non poetical prose and rhythms in fieldwork notes, July 2003, Colombia | Abstract PDF |
| Michael Taussig | ||
| No 16 (2021): Performance and Radical Kindness | Tenderness Between Strangers: Intimate exchanges on banlieue wastelands | Abstract PDF |
| Sarah Harper | ||
| Vol 4 Emergences: 21st-Century Performance | Terrifying Grief | Abstract PDF |
| Sam Trubridge | ||
| Vol 5, No 1 After Effects: Performing the Ends of Memory | The Accident and the Account: Towards a Taxonomy of Spectatorial Witness in Theatre and Performance Studies | Abstract PDF |
| Caroline Wake | ||
| Vol 13 Performance, Choreography, and the Gallery | The Ambivalent Politics of One-to-One Performance | Abstract PDF |
| Caroline Wake | ||
| No 20 (2025): The Missing of it All: Archives, Artists, and Absences | The Artist’s Archive: The Traces of Independent and Community Theatre | Abstract PDF |
| Tiffany Knight, Nescha Jelk, Fleur Kilpatrick, Kirste Vandergiessen, Sarah Peters | ||
| Vol 4 Emergences: 21st-Century Performance | The Augmented Theatre in Virtualised Society: See You in Walhalla | Abstract PDF |
| Eirini Nedelkopoulou | ||
| Vol 14 Performance, Politics, and Non-Participation | The Contemporary Political Play by Sarah Grochala (London: Bloomsbury, 2017) | Abstract PDF |
| Corey Wakeling | ||
| Vol 11 Staging Real People | The Corpse Corpses: Non-Professional Performers and Misperformance | Abstract PDF |
| Chris Hay | ||
| No 18 (2023): The Art of Subsidy / The Subsidy of Art | The Dramaturgy of Defunding: Developing a History of the Defunding of Australian Theatre Organisations from 1975 to 2023 | Abstract PDF |
| Kathryn Kelly, Tessa Rixon | ||
| Vol 14 Performance, Politics, and Non-Participation | The Heckler’s Promise | Abstract PDF |
| Mel Jordan, Lee Campbell | ||
| No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World | The Joys of Jon McK?$#&!: Reading McKenzie's Perform or Else After Laurie Anderson | Abstract PDF |
| Edward Scheer | ||
| No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World | The Making of Perform or Else | Abstract PDF |
| Tim Edkins, Jon McKenzie | ||
| Vol 4 Emergences: 21st-Century Performance | The Male Dancer: Bodies, Spectacle, Sexualities, (Second Edition), Ramsay Burt (London and New York: Routledge, 2007). | Abstract PDF |
| Maggi Phillips | ||
| No 20 (2025): The Missing of it All: Archives, Artists, and Absences | The Missing of it All: Archives, Artists, and Absences | Abstract PDF |
| David Simes, Chris Hay, Sarah Peters | ||
| Vol 4 Emergences: 21st-Century Performance | The More I Study Nature: Georgiana Molloy and the Code of Modernity | Abstract PDF |
| Angela Campbell | ||
| Vol 12 Performance, Technology, and Intimacy | The New Time and Space by John Potts (Basingstoke: Palgrave Macmillan, 2015) | Abstract PDF |
| Prudence Gibson | ||
| No 16 (2021): Performance and Radical Kindness | The Other Country that You Are: A Performative Essay and Video Work exploring Radical Kindness in the Chilean Peoples Uprising of 2019 | Abstract PDF |
| Alys Longley | ||
| Vol 1 Live Ends: Performance in the Information Age | The Politics of Compassion in Theatre and the Economics of Emotions: Alladeen at the 2004 Melbourne International Arts Festival | Abstract |
| Peta Tait | ||
| No 16 (2021): Performance and Radical Kindness | The potential of radical kindness as a methodology in applied theatre in arts and health | Abstract PDF |
| Katharine E. Low | ||
| No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World | The Racial Haptics of ASMR: @breadfaceblog and the Curation of Instagram | Abstract PDF |
| Ali Na | ||
| 201 - 225 of 280 Items | << < 4 5 6 7 8 9 10 11 12 > >> | |