Vol 5, No 2 After Effects: Performing the Ends of Memory

Edited by Bryoni Trezise and Caroline Wake

This double issue investigates the relationship between performance, memory, and trauma.

Articles: Chris Hudson, Laurie Beth Clark, Maria Tumarkin, Karen Jürs-Munby, and Bryoni Trezise

Interviews: Urban Theatre Projects and Collaborators (Alicia Talbot, Roslyn Oades, Tim Carroll)

Book Reviews: Kate Rossmanith on Bonnie Marranca, Sandra D’Urso on Graham St John (ed.), Erin Heffron on Petra Kuppers, Jane Goodall on Janelle G. Reinelt and Joseph Roach (eds.).

Table of Contents

Articles

After Effects: Performing the Ends of Memory. An Introduction to Volume II
Bryoni Trezise
PDF
136–141
Embodied Spaces of Nation: Performing the National Trauma at Hellfire Pass
Chris Hudson
PDF
142–161
Coming to Terms with Trauma Tourism
Laura Beth Clark
PDF
162–184
Disturbing the Sound of Silence: Towards the Thick Vision of the Long Soviet Silence
Maria Tumarkin
PDF
185–200
‘Did you mean post-traumatic theatre?’: The vicissitudes of traumatic memory in contemporary postdramatic performances
Karen Jürs-Munby
PDF
201–223
Ambivalent Bereavements: Embodying Loss in the Twenty-First Century
Bryoni Trezise
PDF
224–243

Interviews & Dialogues

On the Ethics of Non-Disclosure: a Roundtable with Urban Theatre Projects and Collaborators
Tim Carroll, Roslyn Oades, Alicia Talbot, Bryoni Trezise, Caroline Wake
PDF
244–256

Book Reviews

Review of Performance Histories, Bonnie Marranca (New York: PAJ Publications, 2008).
Kate Rossmanith
PDF
257–261
Review of Victor Turner and Contemporary Cultural Performance. Graham St John (eds.), (New York & Oxford: Bergham Books, 2008).
Sandra D’Urso
PDF
262–267
The Scar of Visibility: Medical Performances and Contemporary Art, Petra Kuppers (University of Minnesota Press, 2007).
Erin Hefferon
PDF
268–271
Critical Theory and Performance, eds., Janelle G. Reinelt and Joseph R. Roach (Ann Arbor: University of Michigan Press, 2007)
Jane Goodall
PDF
272–274