Choreocraftivism: small gestures, gentle action and caring for things
Abstract
I seem to be experiencing a ‘thing turn’: a de-anthropic whirl. Post the ‘affective’ and ‘corporeal’ turns of the last two decades which have given way to the reclamation of matter as agential in New Materialism, my choreographic practice takes up the power, mystery and possibility of things in a gentle form of activism that responds to the climate crisis.
In this paper, I introduce the everyday practice of choreocraftivism as a participatory form of actions and gestures that cultivate attention and awareness. Through a fusion of expanded choreographic thinking and craftivism, I argue that we can re-evaluate our relationship to the more-than-human with dance as an efficacious bodily site of non-violent and inclusive resistance.
The projects Chairfriendseries and Street Finders focus upon the circular economy’s logic of upcycle, recycle, slow fashion and the right to repair as disruptions to the linear movement of a thing from ‘cradle to grave’. They are pedestrian, non-representational, non-performance events. The choreocraftivist looks for things dumped on the kerb with the mobility of a flaneur. They bind, arrange and fold to encourage adoption and express care. Gestural patterns are documented for distributed action.
In this paper, I propose a theory of Thingism which underpins the practice of choreocraftivism. It draws together elements of Husserlian Phenomenology and Object-Oriented Ontology (OOO) beyond their epistemological differences to enable fine-grained descriptions of relations between things (of which we are one) and our much-needed movements and reflection to change.
Full Text:
PDFReferences
Banes, Sally. 2004. Writing Dancing in the Age of Postmodernism. University Press of New England.
Bennett, Jane. 2010. Vibrant Matter: a political ecology of things. Duke University Press.
Blaise, Mindy, Jo Pollitt, Jane Merewether, and Veronica Pacini-Ketchabaw. 2022. Resilience as More-than-human. In Young People and Thinking Technologies for the Anthropocene, edited by Peter Kraftl, Peter Kelly, Diego Carbajo Padilla, Rosalyn Black, Seth Brown and Anoop Nayak. Rowman & Littlefield.
Brannigan, Erin. 2022. Choreography, Visual Art and Experimental Composition 1950s—1970s. Routledge.
Buckwalter, Melinda. 2019. Dancing the Land: An Emerging Geopoetics. In The Oxford Handbook of Improvisation in Dance, edited by Vida L. Midgelow, 611-634. Oxford Academic. https://doi.org/10.1093/oxfordhb/9780199396986.013.31
Coole, Dianna. 2005. “Rethinking agency: A phenomenological approach to embodiment and agentic capacities.” Political Studies 53: 124-142.
Cvejić, Bojana. 2015. Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance. Palgrave Macmillan.
Dezeuze, Anna. 2012. The ‘Do-It-Yourself’ Artwork: Rethinking Art’s Histories. Manchester University Press.
Fabius, Jeroen. 2009. Choreographic investigations of kinaesthetics at the end of the twentieth century. In Contemporary Choreography: A Critical Reader, edited by Jo Butterworth and Lisbeth Wildschut, 331-345. Palgrave Macmillan.
Ferro, Floriana. 2019. “Object-Oriented Ontology’s View of Relations: A Phenomenological Critique.” Open Philosophy 2(1): 566-581. https://doi.org/10.1515/opphil-2019-0040
Harman, Graham. 2018. Object-Oriented Ontology: a new theory of everything. Pelican Books.
Haraway, Donna. 2016. Staying with the Trouble: Kin in the Chthulucene. Duke University Press.
Husserl, Edmund. 1997. Logical Investigations Volume II, translated by J. N. Findlay. Routledge.
------------- 1997. Thing and Space: Lectures of 1907, translated by Richard Rojcewicz. Kluwer Academic Publishers.
-------------1983. Ideas Pertaining to a Pure Phenomenology and to a Phenomenological Philosophy: First Book, translated by Fred Kersten. Kluwer Academic Publishers.
Kondo, Marie. 2011. The Life-changing Magic of Tidying. Vermilion.
Kunst, Bojana. 2015. Artist at Work: Proximity of Art and Capitalism. Zero Books.
Lepecki, André. 2016. Singularities: Dance in the age of performance. Routledge.
-------------2006. Exhausting Dance: Performance and the politics of movement. Routledge.
Marx, Karl. 2013. Capital: A Critical Analysis of Capitalist Production. Wordsworth Classics.
Meillassoux, Quentin. 2008. After Finitude: An Essay on the Necessity of Contingency. Bloomsbury Academic.
Merleau-Ponty, Maurice. 2002. Phenomenology of Perception. Routledge.
McGregor, Kristidel. 2020. “Toward a Phenomenology of the Material.” Qualitative Inquiry 26(5): 507-513. https://doi.org/10.1177/1077800419836690
McNeilly, Jodie. 2022. Choreocraftivism—small gestures, gentle action and the dignity of things. Presentation. Discipline of Theatre and Performance Studies, The University of Sydney.
-------------2019. “Small Gestures for Big Trouble: a choreographic response.” Hacking the Anthropocene. Critical Dialogues 11(1): 38-45.
-------------2017. “Writing Experience. Addressing the Limits. Phenomenology of Performance.” About Performance 14/15: 173-194.
-------------2015. Method for a new dramaturgy of digital performance. In The Routledge Companion to Dramaturgy, edited by Magda Romanska, 73-80. Routledge
-------------2014. “A Phenomenology of Chunky Move’s GLOW: Moves toward a Digital Dramaturgy.” Australasian Drama Studies 65: 53-76.
Moser, Paul K. 1998. A priori. In Routledge Encyclopedia of Philosophy. Taylor and Francis. https://www.rep.routledge.com/articles/thematic/a-priori/v-1
Mosk, Virginia. 2021. Inaugural Recipients of Forrest Creative and Performance Leadership Fellowships Announced. Forrest Research Foundation https://www.forrestresearch.org.au/inaugural-recipients-of-forrest-creative-and-performance-leadership-fellowships-announced/
Papastergiadis, Nikos. 2021. Imagining refuge. In The Time of Refuge: a collection of writings and reflections on art, disaster and communities, edited by David Pledger and Nikos Papastergiadis. Arts House. https://www.artshouse.com.au/imagining-refuge/
PlaceLab RMIT. 2023. Wear and Care Activation Kit. RMIT University.
Pollitt, Jo, Mindy Blaise, and Tonya Rooney. 2021. “Weather bodies: experimenting with dance improvisation in environmental education in the early years.” Environmental Education Research 27(8): 1141-1151. DOI: 10.1080/13504622.2021.1926434
Press, Clare. 2018. Rise and Resist: how to change the world. Melbourne University Press.
Rainer, Yvonne. 2010. “‘No’ To Spectacle . . .” In The Routledge Dance Studies Reader (2nd ed.), edited by Alexandra Carter, 35. Routledge.
Rippin, Ann, and Sheena J. Vachhani. 2019. Craft as Resistance: a conversation about craftivism, embodied inquiry and craft-based methodologies. In The Organisation of Craft Work: Identities, Meanings and Materiality, edited by Emma Bell, Gianligi Mangia, Scott Taylor and Maria Laura Torlado, 217-234. Routledge.
Romano, Claude. 2015. At the Heart of Reason, translated by Michael B. Smith and Claude Romano. Northwestern University Press.
Rosiek, Jerry-Lee, Jimmy Snyder, and Scott L. Pratt. 2020. “The New Materialisms and Indigenous Theories of Non-Human Agency: Making the Case for Respectful Anti-Colonial Engagement.” Qualitative Inquiry 26(3-4): 331-346.
Rūmi, Jalāl al-Dīn. 1974. Mystical Poems of Rūmi 1: First Selection, Poems 1-200, translated by A.J Arberry. University of Chicago Press.
Sheets-Johnstone, Maxine. 2019. Phenomenological Methodology and Aesthetic Experience: Essential Clarifications and Their Implications. In Performance Phenomenology: To the Thing Itself, edited by Stuart Grant, Jodie McNeilly-Renaudie and Matthew Wagner, 39-62, Palgrave Macmillan.
Sheets-Johnstone, Maxine. 1999. The Primacy of Movement. John Benjamins Publishing Company.
Smith, Mat. 2005. “Why I Love... Japanese Shirt Folding.” The Guardian, 28 June 2005. https://www.theguardian.com/g2/story/0,,1516283,00.html
Tanner, Claire, JaneMaree Maher, and Suzanne Fraser. 2013. Vanity: 21st Century Selves. Palgrave Macmillan.
Thompson, Hayley, Louise Godwin, Nhu Bui, Frances Gordon, Kiri Delly and Brock Hogan. 2023. Stories of Wear & Care: The Lives of Garments and the Stories They Hold. RMIT University.
Thoreau, Henry. 1949. The Journal of Henry David Thoreau, Vol. 4, edited by Bradford Torrey and Francis H. Allen. Houghton Mifflin.
Tuovinen, Onni Taneli, and Riikka Mäkikoskela. 2019. “Circular Economy, Art and Cultural Change”. Research in Arts and Education (2):1056-57. https://journal.fi/rae/article/view/119147
van der Tuin, Iris, and A. J. Nocek. 2019. “New concepts for materialism: Introduction 1.” Philosophy Today 63(4): 815-822.
Verlie, Blanche. 2021. Learning to Live with Climate Change. Routledge.
Webster, Ken. 2013. “What Might We Say about a Circular Economy? Some Temptations to Avoid if Possible.” World Futures 69(7-8): 542-554.
Whatmore, Sarah. 2006. “Materialist Returns: Practising Cultural Geography in and for a More-than-Human World.” Cultural Geographies 13(4): 600-609.
Whitehead, Patrick. 2015. “Phenomenology Without Correlationism: Husserl’s Hyletic Material.” The Indo-Pacific Journal of Phenomenology 15(2): 1-12.
Refbacks
- There are currently no refbacks.