The Making of Perform or Else
Abstract
Full Text:
PDFReferences
Anderson, Laurie. 1983. United States: Parts I-IV. Performance. Brooklyn Academy of Music, New York. 3–10 February.
Benjamin, Walter. 1999. The Arcades Project. Translated by Howard Eiland and Kevin McLaughlin. Cambridge, MA: Harvard University Press.
Deleuze, Gilles. 1988. Foucault. Translated by Seán Hand. Minneapolis: University of Minnesota Press.
Deleuze, Gilles, and Félix Guattari. 1983. On the Line. Translated by John Johnston. New York: Semiotext(e).
Deleuze, Gilles, and Félix Guattari. 1986. Kafka: Toward a Minor Literature. Translated by Dana Polan. Minneapolis: University of Minnesota Press.
Deleuze, Gilles, and Félix Guattari. 1987. A Thousand Plateaus: Capitalism and Schizophrenia. Translated by Brian Massumi. Minneapolis: University of Minnesota Press.
Derrida, Jacques. 1976. Of Grammatology. Translated by Gayatri Chakravorty Spivak. Baltimore: Johns Hopkins University Press.
Derrida, Jacques. 1984. “No Apocalypse, Not Now (Full Speed Ahead, Seven Missiles, Seven Missives).” Translated by Catherine Porter and Philip Lewis. Diacritics 14, no. 2 (Summer): 20–31.
Derrida, Jacques. 1986. Glas. Translated by John P. Leavey Jr. and Richard Rand. Lincoln: University of Nebraska Press.
Derrida, Jacques. 1987. The Truth in Painting. Translated by Geoff Bennington and Ian McLeod. Chicago: University of Chicago Press.
Derrida, Jacques. 1992. “Ulysses Gramophone: Hear Say Yes in Joyce.” Translated by Tina Kendall and Shari Benstock. In Acts of Literature, edited by Derek Attridge, 253–309. New York: Routledge.
Jackson, Shannon. 2011. Social Works: Performing Art, Supporting Publics. New York: Routledge.
Latour, Bruno. 1996. Aramis, or The Love of Technology. Translated by Catherine Porter. Cambridge, MA: Harvard University Press.
Lesy, Michael. 1973. Wisconsin Death Trip. New York: Pantheon Books.
Library of Congress. 2000. Library of Congress Classification. Class B-BJ. Philosophy & Psychology. Prepared by the Cataloging Policy and Support Office, Library Services. 2000 edition. Washington, DC: Library of Congress, Cataloging Distribution Service.
Lynch, David. 1980. The Elephant Man. Film. Los Angeles: Paramount Pictures.
Lyotard, Jean François. 1984. The Postmodern Condition: A Report on Knowledge. Translated by Geoff Bennington and Brian Massumi. Minneapolis: University of Minnesota Press.
McKenzie, Jon. 1997. “Laurie Anderson for Dummies.” TDR 41, no. 2 (Summer): 30–50.
McKenzie, Jon. 2001. Perform or Else: From Discipline to Performance. London: Routledge.
McKenzie, Jon. 2007. “StudioLab UMBRELLA.” In The Illogic of Sense: The Gregory L. Ulmer Remix, edited by Darren Tofts and Lisa Gye, 22–27. Boulder, CO: Alt-X. http://www.altx.com/ebooks/ulmer.html.
McKenzie, Jon. 2013. “Remediating Performances: Strange Politics in Higher Education.” Keynote paper presented at Artaud Forum 3: Theatre and Resonant Politics, Antonin Artaud Performance Centre, Brunel University, London, 23–24 March.
McKenzie, Jon, Rebecca Schneider, and Critical Art Ensemble. 2000. “Critical Art Ensemble Tactical Media Practitioners: An Interview.” TDR 44, no. 4 (Winter): 136–50.
McKenzie, Jon, Tim Edkins, and Stevphen Shukaitis. 2014. “Revisiting Jon
McKenzie’s Perform or Else: Performance, Labour and Pedagogy.” ephemera 14, no. 3 (August): 525–543. https://ephemerajournal.org/sites/default/files/2022-01/14-3mckenzieedkinsshukaitis_0.pdf.
McLuhan, Marshall, and Quentin Fiore. 1967. The Medium is the Massage: An Inventory of Effects. New York: Random House.
Pell, Derek. 1989. Assassination Rhapsody. Brooklyn, NY: Semiotext(e).
Ronell, Avital. 1989. The Telephone Book: Technology, Schizophrenia, Electric Speech. Lincoln: University of Nebraska Press.
Souza, Márcio. 1993. Lost World II: The End of the Third World. Translated by Lana Santamaria. New York: Avon Books.
Vaughan, Diane. 1996. The Challenger Launch Decision: Risky Technology, Culture, and Deviance at NASA. Chicago: University of Chicago Press.
Refbacks
- There are currently no refbacks.