We Are Cells: BioArt, Semi-Livings, and Visceral Threat
Abstract
Full Text:
PDFReferences
Adams, Trish. ‘Experiments for “Vital Force”: A Productive Art/Science Collaborative Model’, in New Constellations: Art, Science and Society Conference Proceedings (Sydney: Museum of Contemporary Art, 2006), 35- 45.
Adams, Trish. ‘Changing Fates: An Exploration of Biomedical Transformations’, in The Future of Digital Media Culture – Proceedings of perthDAC2007, the 7th International Digital Arts and Culture Conference (Perth: Curtin University of Technology, 2007), pp.11-20.
Auslander, Philip. Liveness: Performance in a Mediatized Culture, (Routledge: New York, London, 1999).
Broadhurst, Susan. Digital Practices: Aesthetic and Neuroesthetic Approaches to Performance and Technology, (New York: Palgrave Macmillan, 2007).

Bunt, Stuart. ‘Comments on “Risk, Failure and Legitimacy” in Relation to SymbioticA Bioart Research Lab’, in New Constellations: Art, Science and Society Conference Proceedings (Sydney: Museum of Contemporary Art, 2006), 59-61.
Card, Amanda. ‘Becoming Undone With the Dances of Martin del Amo’, Australasian Drama Studies Conference (Melbourne 2007, unpublished).
Catts, Oran and Ionat Zurr. ‘The Ethical Claims of Bioart: Killing the Other or Self-Cannibalism’, Australia and New Zealand Journal of Art: Art Ethics Double Issue 4/5.2 (2003): 167-188.
Catts, Oran and Ionat Zurr. ‘The Tissue Culture and Art Project: The Semi- Living as Agents of Irony’, in Performance and Technology: Practices of Virtual Embodiment and Interactivity, (New York: Palgrave MacMillan, 2006a), 153-168.
Catts, Oran and Ionat Zurr. ‘Towards a New Class of Being: The Extended Body’, Intelligent Agent 06.02 (2006b): 1-7.
Davis, Lennard J. and David B. Morris. ‘Biocultures Manifesto’, New Literary History 38.3 (2007): 411-418.
Debelle, Penelope. ‘New Growth in Stelarc’s Body of Art’, The Age, 7 June (2007), http://www.theage.com.au/news/entertainment/new-growth-in-stelarcs-body- of-art/2007/06/06/1181089143502.html
Fadiman, Anne. The Spirit Catches You and You Falll Down, (New York: Farrar, Straus and Giroux, 1997).
Finkel, Elizabeth. Stem Cells: Controversy at the Frontiers of Science, (Sydney: ABC Books, 2005).

Geertz, Clifford. ‘“From the Native’s Point of View”: On the Nature of Anthropological Understanding’, in Meaning in Anthropology, (Albuquerque: University of New Mexico Press, 1976), 221-238.
Giannachi, Gabriella. The Politics of New Media Theatre, (London, New York: Routledge, 2006).
Goldberg, Brianna. ‘Artists painting with hues of mitochondria’, National Post, 25 May (2007), http://www.canada.com/cityguides/toronto/story.html?id=ec6e09cf-5b09-4194- 8ba7-7aaffec638cb&k=31383
Jackson, Michael. At Home in the World, (Durham: Duke University Press, 1995).
Jackson, Michael (ed.). Things as They Are: New Directions in Phenomenological Anthropology, (Bloomington: Indiana University Press, 1996).
Lewis, J. Lowell. ‘Genre and Embodiment: From Brazilian Capoeira to the Ethnology of Human Movement’, Cultural Anthropology 10.2 (1995): 221-243.
Mansfield, Nick. Subjectivity: Theories of the Self from Freud to Haraway, (Sydney: Allen & Unwin, 2000).
Maxwell, Ian. ‘“Who Were You?”: The Visible and the Visceral’, in Anatomy that is Alive (forthcoming), (University of Amsterdam, University of Chicago Press, 2008).
Merleau-Ponty, Maurice. Phenomenology of Perception, trans. Colin Smith (New York: Routledge, 1962; 1945).
Moran, Dermot. Introduction to Phenomenology, (London, New York: Routledge, 2000).
Performance Paradigm 4 (May 2008)
Rose, Nikolas. The Politics of Life Itself: Biomedicine, Power, and Subjectivity in the Twenty-First Century, (New Jersey, Oxford: Princeton University Press, 2007).
Rossmanith, Kate. ‘Many Me’, in Best Australian Essays 2007 (Black Inc.: Melbourne, 2007), 122-28.
Rothfield, Philipa. ‘Performing Sexuality, the Scintillations of Movement’, in Performing Sexualities, (Brisbane: Institute of Modern Art, 1994), 57-66.
Squier, Susan Merrill. Liminal Lives: Imagining the Human at the Frontiers of Biomedicine (Durham University Press: Durham and London, 2004).
Waldby, Catherine. The Visible Human Project: Informatic Bodies and Posthuman Medicine, (London, New York: Routledge, 2000).
Willet, Jennifer and Shawn Bailey. ‘Bioteknica: Soft Experiments from the Laboratory’, in New Constellations: Art, Science and Society Conference Proceedings (Sydney: Museum of Contemporary Art, 2006), 67-73.
Refbacks
- There are currently no refbacks.