DANCERNESS

Rebecca Hilton

Abstract


A lecture written by Rebecca Hilton, spoken in unison with Alice Heyward, Ella Meehan, Ellen Davies, Megan Payne and Chloe Chignell. Presented on November 5, 2014 at the Australian Centre for Contemporary Art (ACCA) in the context of Helen Grogan’s Specific In-Between (the Choreographic Negotiated in Six Parts) as part of the Framed Movements exhibition curated by Hannah Mathews

Keywords


dance; visual arts; gallery; dancerness; 13 Rooms; Alice Heyward; Helen Grogan; Ella Meehan; Ellen Davies; Megan Payne; Chloe Chignell

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References


Berger, John. 2011. “Seeing Through Lies.” Harper’s Magazine 322 (1931): 45–50. https://harpers.org/archive/2011/04/seeing-through-lies/

Farber, Manny. 1998. “White Elephant Versus Termite Art.” In Negative Space: Manny Farber on the Movies, 134–144. New York: Da Capo Press. Originally published 1962; also available online: http://www.coldbacon.com/writing/mannyfarber-termiteart.html

Hickey, Dave. 2017. “Mitchum Gets Out of Jail.” In Perfect Wave: More Essays on Art and Democracy, 135–143. Chicago, IL: University of Chicago Press.

Solnit, Rebecca. 2013. “The Separating Sickness: How Leprosy Teaches Empathy.” Harper’s Magazine 326 (1957): 50–57. https://harpers.org/archive/2013/06/the-separating-sickness/


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