Engaging Performance: Theatre as Call and Response, by Jan Cohen-Cruz (London and New York: Routledge, 2010)
Abstract
Full Text:
PDFReferences
Blau, Herbert. The Audience. (Baltimore: Johns Hopkins University Press, 1990).
Boal, Augusto. Theatre of the Oppressed. 1st TCG ed. (New York: Theatre Communications Group, 1985).
Bourriaud, Nicolas. Relational Aesthetics. (France: Les Presses Du Reel, 2002).
boyd, danah. "Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications." Networked Self: Identity, Community, and Culture on Social Network Sites. Ed. Papacharissi, Zizi. (London and New York: Routledge, 2010). 39-58.
Cohen-Cruz, Jan. Local Acts: Community-Based Performance in the United States. Rutgers Series on the Public Life of the Arts. (New Brunswick, N.J.: Rutgers University Press, 2005).
---, ed. Radical Street Performance: An International Anthology. (London; New York: Routledge, 1998).
"The Community Art Lab (CAL)". Utrecht, 2012. Peace Treaty of Utrecht.
D'Arcy, Margaretta. Loose Theatre: Memoirs of a Guerrilla Theatre Activist. (Victoria, Canada: Trafford Publishing, 2006).
Fernandez, Doreen G. Palabas: Essays on Philippine Theater History. (Honolulu: University of Hawai'i Press, 1997).
Haedicke, Susan C., and Tobin Nellhaus, eds. Performing Democracy: International Perspectives on Urban Community-Based Performance. (Ann Arbor: University of Michigan Press, 2001).
Hawkins, Gay. From Nimbin to Mardi Gras: Constructing Community Arts. Australian Cultural Studies. Ed. Australia Council. Community Arts Program. (St Leonards, N.S.W.: Allen & Unwin, 1993).
Jellicoe, Ann. Community Plays: How to Put Them On. Methuen Dramabook. (London; New York: Methuen, 1987).
Kershaw, Baz. The Politics of Performance: Radical Theatre as Cultural Intervention. (London; New York: Routledge, 1992).
Kruger, Loren. The Drama of South Africa : Plays, Pageants, and Publics since 1910. (London ; New York: Routledge, 1999).
Kuppers, Petra, and Gwen Robertson, eds. Community Performance: A Reader. (London and New York: Routledge, 2007).
Kwon, Miwon. One Place after Another: Site-Specific Art and Locational Identity. (Cambridge, Mass.: MIT Press, 2002).
Lobel, Brian. Purge. 2011. < http://www.blobelwarming.com/purge.html>
Maxwell, Ian, and Fiona Winning. "Towards a Critical Practice: A Model for Talking and
Writing About Community Artworks." Artwork Magazine.49 (2001): 8-20. Ngugi, wa Thiong'o. "Enactments of Power: The Politics of Performance Space." TDR 41 (1997): 11-30.
Prentki, Tim, and Sheila Preston. The Applied Theatre Reader. London ; New York: Routledge, 2009. Print.
Schutzman, Mady, and Jan Cohen-Cruz, eds. Playing Boal : Theatre, Therapy, Activism. London ; New York: Routledge, 1994. Print.
Van Erven, Eugene. Community Theatre: Global Perspectives. London; New York: Routledge, 2001.
Refbacks
- There are currently no refbacks.